It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 7, 2014, 06:23 AM
http://helloluxx.com/tutorials/siggraph-2014/
It’s only 24 hours until we take-off for Vancouver, woo hoo! Tim and I are starting to get really excited about all the people we are going to meet and cool exhibits we are going to see.
August 6, 2014, 07:11 PM
http://editorunderconstruction.blogspot.com/2014/0...
Hace una semana posteaba las opiniones de Godard respecto a los derechos de autor. Hace dos días unas palabras de Albert Serra sobre los montadores, sobre su cine. Hoy, Albert Serra repite en este blog (bajo licencia Creative Commons) con sus opiniones sobre los derechos de autor. ¿Soy un imbécil o qué?
August 6, 2014, 07:10 PM
http://www.studiodaily.com/2014/08/how-vfx-supe-ri...
Director Luc Besson’s latest film stars Scarlett Johansson as Lucy, an unwilling drug mule who discovers she’s carrying a package of a blue crystalline drug inside her tummy. When it leaks, the story begins in earnest. The drug turns Lucy … more »
August 6, 2014, 07:10 PM
https://www.videoguys.com/Blog/E/Review+Boris+FXs+...
Boris Continuum has had a unique relationship with Avid and Media Composer since 2005, when BCC was first bundled with Media Composer, giving it an advantage over other filter sets, and allowing it to become the de facto third-party effects package for Avid editors for many years. Since then, a number of competitors have followed, creating a cat & mouse game with features, effects and usability constantly evolving. While the argument of who gives the best bang for the buck is debatable, in my op
August 6, 2014, 09:26 AM
http://www.karenschmeer.com/ksfef-home/2014/8/6/20...
ONLINE SUBMISSIONS ARE DUE BY 11:59 PM EST SEPTEMBER 30, 2014CLICK HERE TO APPLY Now in its fifth year, the Karen Schmeer Film Editing Fellowship assists emerging documentary editors by developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Editors (ACE), Manhattan Edit Workshop, SXSW and other partners, the Fellowship offers a wide array of opportunities.Awarded once a year, the Fellowship honors the memory ...
August 6, 2014, 09:26 AM
http://www.cultofmac.com/290033/pixar-boss-explain...
Designed in collaboration with Steve Jobs by Norman Foster, the new Infinite Loop has Apple fans excited… but not architects. Informally polling a group of 6,000 architects around the world gathered for a South African conference, Fortune’s Philip Elmer DeWitt discovered that, by and large, the professionals he encountered hated Apple’s new Spaceship Campus.
August 6, 2014, 09:26 AM
http://filmmakermagazine.com/87033-how-to-survive-...
For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position. For others it can help tell the story. Either way, If you’ve never sat in on a coloring session before, the whole thing can seem quite daunting.
August 6, 2014, 09:25 AM
http://thenextweb.com/creativity/2014/08/06/3-colo...
This post was originally published on the Shutterstock blog and has been reprinted with permission.
August 6, 2014, 08:42 AM
http://blogs.adobe.com/jkost/2014/08/1950-typekit-...
If you work with type in Photoshop, then chances are that at some point in your career, you’ve tried to open a document that was handed off to you, only to find that you didn’t have the same fonts installed as the creator of the document did. Lets take a look at how Photoshop CC has improved this workflow. In previous versions of Photoshop, when opening a document that utilized fonts that are not installed on the current system, Photoshop notified you that there were missing fonts, but ...
August 6, 2014, 08:41 AM
http://postperspective.com/olivier-agostini-uses-h...
By Randi Altman When you think of the environmental organization Greenpeace, images of people protecting whales, forests and oceans come to mind. It’s serious business… but recently the non-profit decided to extend its reach with humor. While Greenpeace videos are well viewed, it’s mostly Greenpeace enthusiasts and activists who hit play. In order to reach […]The post Using humor to tell serious story for Greenpeace appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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