It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 23, 2015, 05:59 AM
http://soundworkscollection.com/news/conversations...
The Dolby Institute and Soundworks Collection are launching a 10-part podcast series, Conversations with Sound Artists, bringing insight into the film, gaming, television industry. Glenn Kiser, Director of Dolby Institute at Dolby Laboratories, and Michael Coleman of Soundworks Collection, speak with top industry creatives and beginning Tuesday, August 25, 2015, Dolby Institute and Soundworks Collection will be publishing an hour-long podcast episode each week with topics ranging from cinematic ...
August 21, 2015, 04:37 PM
http://www.audiomediainternational.com/recording/t...
A big release on this year’s horror movie calendar, Sinister 2 hits cinemas today and promises to have audiences the world over cowering in cinema rows. The sequel to the 2012 horror movie, Sinister 2 follows a protective mother and her 9-year-old twin sons as they find themselves in a rural house, terrorized by an evil spirit as it continues to spread its influence.
August 21, 2015, 12:33 PM
http://designingsound.org/2015/08/news-remastering...
What is your favorite sound effect from a video game? R […]
August 21, 2015, 05:06 AM
http://www.motionelements.com/blog/articles/find-t...
Read on to find out how you can use our Music specific search filters to search effectively for your ideal music.
August 21, 2015, 05:05 AM
http://www.moviemaker.com/archives/news/quiet-on-t...
Why audiences accept inferior visuals but reject low-quality audio may actually have Darwinian roots: Survival favors the hearing blind over the seeing deaf. But that’s an essay for another Guide. So, for now, take me at my word when I say you need good sound.
August 20, 2015, 04:24 PM
http://postperspective.com/review-cedar-studio-7-a...
By Robin Shore When it comes to cleaning up damaged and noisy recordings, the tools from CEDAR Audio have long been respected in the audio community. CEDAR, which is sold by Independent Audio in the US, bills itself as “dedicated solely to audio restoration and speech enhancement for film, post, TV and radio broadcast, CD and DVD mastering, libraries and archives, and for audio forensic investigation.” A few months ago they released CEDAR Studio 7, an update to the company’s earlier ...
August 20, 2015, 10:06 AM
http://vashivisuals.com/star-wars-music-makes-the-...
John Williams watches the Han Solo Carbon Freezing scene with no SFX, bad audio, temp VFX and no music. Then he wrote the score and recorded it. Great look into the filmmaking process.
#editing#music#star wars#john williamsAugust 20, 2015, 09:35 AM
http://www.hypebot.com/hypebot/2015/08/who-really-...
The controversy surrounding music streaming and artist compensation has been earning quit a bit of press lately. Still, the actual process of licensing, publishing, and compensating those involved in music publishing is complex and convoluted. This article offers a clear and detailed breakdown of exactly how music rights and payments work.
August 18, 2015, 02:22 PM
https://news.creativecow.net/story/879551
(Cambridge, MA--August 18, 2015) iZotope, Inc., a leading audio technology company, today announced its strategic decision to divide the current iZotope product line into two distinct families of products, one focused on Music Production and the other on Audio Post Production.
August 18, 2015, 08:28 AM
http://www.thecredits.org/2015/08/composer-daniel-...
For you Peep Show fans out there (and we know you’re out there), composer Daniel Pemberton is the man who created the British comedy’s incredibly catchy theme song, “Pip Pop Plop.” If you’ve never seen the show, you start watching it—it’s consistently hilarious..
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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