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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Banish bad video: think like an audience

May 17, 2013, 02:32 PM

http://www.philiphodgetts.com/2013/05/think-like-a...

Don't make these basic mistakes instead think like an audience.

Aharon Rabinowitz Blogs about Adobe Creative Cloud

May 17, 2013, 02:29 PM

http://www.videoguys.com/Blog/E/Aharon+Rabinowitz+...

Let me start off this post by saying that I do not work for Adobe. I have never been an Adobe Employee, and probably never will be one after this article goes out. I don't owe Adobe anything...

How Emmy winning George to the Rescue gets cut on

May 17, 2013, 09:54 AM

http://feedproxy.google.com/~r/deysonortiz/feed/~3...

Below is a link to a great read from FCP.Co on how FCPX is used by NBC and helped them win an Emmy Award.

The 4K evolution is not about 4K

May 17, 2013, 09:54 AM

http://www.videoguys.com/Blog/E/The+4K+evolution+i...

For consumers, the switch to 4K is inevitable. But the transition may not be as impactful for manufacturers as they hope. Here's why, and what consumers really want.

Tweets of the week - 17 May 2013

May 17, 2013, 09:52 AM

http://aframe.com/blog/2013/05/17/tweets-of-the-we...

Throughout the week, we scour the interwebs for interesting content for you, our loyal followers. Grab yourself a coffee and take 10 minutes to check out the top 5 things we've seen online over the past 7 days.

J'ai encore rêvé d'eux

May 17, 2013, 04:18 AM

http://journaldunemonteuse.wordpress.com/2013/05/1...

Un grand classique. Je passe trois journées de suite à rencontrer mes nouveaux rushes, en l’occurrence ceux du film sur les bijoux, je les regarde, je les reçois, je les écoute, et les coquins s’emparent de moi. Ils viennent me … Lire la suite →

Sam Mestman talks 4K FCPX RED workflow at the Los

May 17, 2013, 04:18 AM

http://www.fcp.co/final-cut-pro/tutorials/1132-sam...

It's been a while since we featured a presentation from the LACPUG here on FCP.co. This is a good one, Sam Mestman from Lumaforge takes the audience through a 4K RED workflow on Final Cut Pro X.

The Coen Brothers switch to Premiere Pro

May 16, 2013, 06:12 PM

http://blogs.adobe.com/jnack/2013/05/the-coen-brot...

The next version of Adobe video tools has been developed with features created in direct response to the needs of filmmakers, broadcasters and video professionals. In fact, the multiple Academy Award winning Coen brothers...

Apple's Motion: Lesson 7 - The Canvas Pt 2

May 16, 2013, 06:11 PM

http://library.creativecow.net/mcauliffe_kevin/App...

In this lesson, Kevin P McAuliffe continues his tour of the canvas by looking at the transport controls inside of Motion 5, and the tutorial takes a turn to look at keyframing with the introduction of the "Record Keyframes" button that is tucked in right beside the Play button.

Editing long form with FCPX PT. 1

May 16, 2013, 02:28 PM

http://www.hdwarrior.co.uk/2013/05/16/editing-long...

When I first started looking into a new edit platform for the MAC there were 2 on offer appart from FCP-7, those were Premiere Pro and AVID.

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