It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 17, 2016, 05:51 AM
http://www.redsharknews.com/post/item/3867-the-fou...
The Foundry says that 10.2 is going to be the final instalment of the MODO 10 Series but sweetens the expected pill with a raft of new features. The FoundryMODO Series 103D softwareCGI
October 17, 2016, 05:51 AM
http://www.creativebloq.com/news/how-to-change-you...
Have you ever been blown away by a movie or TV show’s visual effects and dreamed of creating something just as show-stopping? Well now’s your chance. Whether you’re a design, engineering, computer science, art, graphics or multimedia graduate, Escape Studios is offering you the chance to switch your career and work in the exciting world of visual effects.
October 14, 2016, 04:29 PM
http://www.cartoonbrew.com/interviews/ilms-rebel-j...
Mark Dippé and Steve ‘Spaz’ Williams famously devised a secret and unsanctioned Jurassic Park animation test at Industrial Light & Magic that ultimately convinced director Steven Spielberg to use computer-generated dinosaurs instead of stop motion on his blockbuster film. It was a huge step forward in visual effects, but Dippé and Williams were no strangers to groundbreaking cg work—they had already contributed to cutting-edge computer animation work in The Abyss and Terminator 2: Judgme...
October 14, 2016, 05:15 AM
http://www.cgmeetup.net/home/northmen-vfx-breakdow...
Kristian Kück presents Northmen Vfx Breakdown.
October 13, 2016, 05:13 PM
http://postperspective.com/the-colonie-provides-ed...
Chicago’s The Colonie has teamed with Burrell Communications to provide editorial, visual effects and design services for I Do, a broadcast spot introducing the 2017 Toyota Corolla. Creative editor Bob Ackerman edited with the carmaker’s tagline, “Let’s Go Places,” in mind. Fast-paced cuts and editing effects helped create an upbeat message that celebrates the new Corolla, Continue reading →October 13, 2016
October 12, 2016, 09:24 AM
http://www.cgmeetup.net/home/houdini-illume-webina...
Tutorial to start with houdini.
October 11, 2016, 09:34 AM
http://www.artofvfx.com/deepwater-horizon-craig-ha...
In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.
October 8, 2016, 12:45 PM
http://lesterbanks.com/2016/10/c4ds-thin-film-shad...
Have you upgraded to C4D R18 yet? There are a lot of really great new features in R18, and some nice little additions like the Thin Film Shader. If you need to render out realistic bubbles, the thin-film shader makes it super-easy. What exactly is a Thin Film Shader? Like the name suggests, it can The Post C4D’s Thin Film Shader Can Easily Create Realistic Bubbles originally appeared and published on %%BLOGLINK%,by lesterbanks
October 8, 2016, 05:53 AM
http://www.animationmagazine.net/events/world-anim...
Animation Magazine is pleased to announce that this year’s World Animation and VFX Summit will feature three Master Classes lead by top industry experts, taking place Wednesday, November 2 at the California Yacht Club in Marina del Rey, Calif. The day’s schedule includes breakfast, lunch, an afternoon break and a networking cocktail party to cap it off.
October 7, 2016, 04:29 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Four-year-old art and technology company The Artery (http://thearteryvfx.com) recently created more than 200 visual effects shots for the new Netflix series The Get Down. The work represents the studio’s first episodic TV series project.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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