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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Premiere Pro Quick Tip: Match Frame

July 30, 2014, 12:32 PM

http://www.premiumbeat.com/blog/premiere-pro-quick...

The 'Match Frame' feature in Premiere Pro can save you a lot of time. Learn how to use it with this quick tip!

Introducing Signal from Greyscalegorilla

July 30, 2014, 12:32 PM

http://greyscalegorilla.com/blog/2014/07/introduci...

The Cinema 4D Timeline has always been intimidating to me. I loved animating in After Effects. But, when I started using Cinema 4D, I craved the simplicity

Your 4K Questions Answered

July 30, 2014, 12:30 PM

http://provideocoalition.com/pvcexclusive/story/yo...

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed...

Improve RAID Speed with Partitions

July 30, 2014, 12:30 PM

https://www.videoguys.com/Blog/E/Improve+RAID+Spee...

I’ve known for a long time that hard drive speed varies as the drive fills up. Drives are at their fastest when they are empty. As they get closer and closer to full, they slow down. What I recently realized was that RAIDs behave the same way: empty RAIDs are really fast, while full RAIDs are much slower.

Premiere Pro CC 2014: allows video editors to do m

July 30, 2014, 04:47 AM

http://www.macworld.com/article/2458763/premiere-p...

If you’ve been caught in an embarrassing situation by the local 6 o’clock news crew, then you’ll appreciate that professional video editors often must protect the innocent by obscuring people’s faces in broadcasts, and in some cases, they may need to avoid trademark infringement by blurring company or product logos. A new feature in Adobe Premiere Pro CC 2014 can make that a much less tedious task.

Kodak Negotiating Last-Ditch Effort to Keep Film i

July 30, 2014, 04:47 AM

http://www.hollywoodreporter.com/behind-screen/kod...

Iconic film manufacturer Kodak is in negotiations with all of the major studios to make a last-ditch deal to keep celluloid alive as its use faces a steep decline in the motion picture and TV industry, much of which has shifted to capturing images digitally.

New: Noise Industries Hawaiki AutoMatch by FxFacto

July 30, 2014, 04:46 AM

http://www.toolfarm.com/blog/entry/new_fxfactory_h...

Noise Industries FxFactory has a new color grading plug-in, Hawaiki AutoMatch.  Auto Match Shots in FCP X, Premiere Pro, After Effects and Motion!

Coming soon: How the Tour de France was edited on

July 30, 2014, 04:45 AM

http://www.fcp.co/final-cut-pro/articles/1466-comi...

This is something that we don't really do, trail an article, but this time it's well worth it. How the Tour de France was edited on FCPX for UK broadcast television.

Sharknado 2 and Vashi’s Premiere Pro Editorial W

July 30, 2014, 04:44 AM

http://provideocoalition.com/ssimmons/story/sharkn...

Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enoug...

Soundcrafter pieces together the varied sounds of

July 30, 2014, 04:44 AM

http://postperspective.com/soundcrafter-pieces-tog...

By Jennifer Walden A decade in dog years is said to be roughly equivalent to 70 human ones. I think that calculation holds true for technology too. Okay, maybe not to that extreme, but it does seem that way. Richard Linklater, director of the new film Boyhood, which was shot over a 12-year period using […]The post Soundcrafter pieces together the varied sounds of ‘Boyhood’ appeared first on postPerspective - Randi Altman's postPerspective.

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