It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 2, 2014, 04:37 AM
http://www.cinema5d.com/news/?p=26195
Whilst on the subject of storage, G-Technology released some exciting new products at NAB that are now shipping.
July 1, 2014, 06:23 PM
http://www.fcp.co/final-cut-pro/tutorials/1450-med...
The update has only been out for a few days, but the new media management functions feature in this new episode of MacBreak Studio. Mark & Steve explain all.
July 1, 2014, 06:22 PM
http://postperspective.com/quick-chat-northern-lig...
By Randi Altman Last fall I had the pleasure of moderating a panel on color grading during the CCW Show in New York City. The panel was made up of dedicated colorists. One of them, Chris Hengeveld, is more than just a colorist: he also provides compositing and visual effects via a variety of Autodesk […]The post Quick Chat: Northern Lights’ Chris Hengeveld appeared first on postPerspective - Randi Altman's postPerspective.
July 1, 2014, 06:22 PM
https://www.videoguys.com/Blog/E/Plug+in+Review+Re...
Everybody loves a good plug-in, so everyone should love an ever-expanding, GPU-accelerated, cross-platform, community-driven, constantly updated package of plug-ins. Red Giant Universe is exactly that, and it’s a new favorite toolset of mine.
July 1, 2014, 10:37 AM
http://sportsvideo.org/main/blog/2014/07/grass-val...
Bruce Austin of Bruce Austin Productions Inc. (BAPI) and Dan Harris of Eight Ball Pictures and Stereoscope LLC, have turned to Grass Valley and its EDIUS 7 multiformat nonlinear editing software on the film “Our Restless Planet,” for the JPL Earth Science Visitor Center. The film highlights the effects of hurricanes, earthquakes and fresh water supplies on our planet.
July 1, 2014, 10:35 AM
http://www.cgmeetup.net/home/bottleship-vfx-featur...
We are an independent Dynamic FX boutique based in the creative and cultural heart of one of the old European capitals – Sofia, Bulgaria. Founded and led by distinguished artists Hristo Velev and Martin Naydenski.
July 1, 2014, 10:35 AM
http://www.sonicscoop.com/2014/07/01/studio-creati...
For those of us who are passionate about writing, creating, producing, recording, or mixing music, we spend a lot of time looking at waveforms on a screen. We invest endless hours of our lives listening sound.
July 1, 2014, 10:35 AM
http://www.cinema5d.com/news/?p=26174
The LaCie Rugged hard drive has been quite popular with filmmakers, offering storage for in-the-field media backup. There’s been a few flavours of the line over the years; a fairly un-changed cosmetic design with variants of capacity and peripherals.
July 1, 2014, 10:34 AM
http://www.artofvfx.com/?p=8415
In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.
July 1, 2014, 10:32 AM
http://www.btlnews.com/crafts/visual-fx/milk-deliv...
Celebrating one year in business, London-based VFX house Milk is currently serving as the lead VFX studio for Fox's action-thriller, 24: Live Another Day.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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