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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Pond5 and DJI create marketplace for aerial footag

March 30, 2018, 06:42 AM

https://www.provideocoalition.com/pond5-dji-create...

Exclusive access for FAA certified DJI drone pilots is the rule on the new launched premium collection of licensable aerial footage from Pond5.

Filmmaker Friday featuring Filmmaker Brandon Yavas

March 30, 2018, 06:42 AM

https://www.provideocoalition.com/FilmmakerBrandon...

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker. This week, we had the opportunity to speak to Filmmaker Brandon Yavas about his work.

“Venían a buscarme” por Martín Sappia (EDA)

March 29, 2018, 07:10 PM

https://edaeditores.org/venian-a-buscarme-por-mart...

“Aquellas películas en las que el director está tan implicado afectivamente (…)  hay que intentar congeniar lo emocional, lo racional y el cine.” El jueves 22 de Marzo de 2018, se estrenó en el Cine Gaumont (Espacio INCAA KM 0 Av. Rivadavia  1635)  el documental Venían a buscarme de Álvaro de la Barra.  La película tuvo su premiación En el 10º Festival de Cine Chileno (FECICH […]

EditShare Introduces QScan Automated Quality Contr

March 29, 2018, 01:26 PM

http://www.studiodaily.com/2018/03/editshare-intro...

EditShare will introduce QScan, a new line of automated quality control (AQC) software for file-based audio and video production workflow, at NAB 2018. QScan is built on the same Quales QC engine, acquired last year, that drove its previous AQC products, which were limited to checking four files at one time. The new system can be scaled up across […] The post EditShare Introduces QScan Automated Quality Control Software for File-Based Workflow appeared first on Studio Daily.

Edit Share unveils QScan AQC at NAB 2018

March 29, 2018, 01:26 PM

https://www.provideocoalition.com/edit-share-unvei...

The brand new QScan Automated Quality Control family (AQC) of products, from EditShare, simplifies compliance and delivery requirements with robust quality check capabilities. Meet the system at NAB 2018.

A Good Edit is like a Game of Poker

March 29, 2018, 07:41 AM

http://www.thehindu.com/todays-paper/tp-miscellane...

Whether it’s working on Ship of Theseus (2013)or Love per Square Foot (2018), film editor Sanyukta Kaza rarely goes by the book...

Clase magistral con Andrea Chignoli (Chile) y proy

March 28, 2018, 09:05 AM

https://edaeditores.org/clase-magistral-con-andrea...

La Comisión de Formación de EDA se enorgullece en presentar el 2° ciclo de cine Detrás del corte, dedicado a la divulgación de la obra de las y los montajistas más reconocidos y destacados. En esta oportunidad el ciclo está dedicado a la editora chilena Andrea Chignoli. Dicho evento está conformado por la proyección de dos […]

Entrevista abierta con Juan Carlos Macías (SAE) (

March 28, 2018, 05:42 AM

http://saeditores.org/Novedades/Entrevista-abierta...

Segunda parte de la Entrevista abierta con Juan Carlos Macías (SAE), organizada por la SAE en el marco de las actividades del 32° Festival Internacional de Cine de Mar del Plata, ocasión en la cual además recibió el Premio a la Trayectoria 2017.En esta segunda entrega, Macías desarrolla un amplio anecdotario de sus experiencias en el trabajo de la edición de publicidad, además de analizar su participación junto a Luis Puenzo en La historia oficial -ganadora del Oscar de la Aca...

Idustrial Revolution Releases XEffects Smooth Glas

March 28, 2018, 05:41 AM

http://www.fcp.co/final-cut-pro/articles/2056-idus...

Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.

Cut With FCPX: The Prestigious Period Mystery-Thri

March 28, 2018, 05:41 AM

http://www.fcp.co/final-cut-pro/articles/2054-cut-...

With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.

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