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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

PVC at NAB 2014 - iZotope Solves Your Audio Issues

April 18, 2014, 08:54 AM

http://provideocoalition.com/pvcexclusive/story/pv...

Woody Woodhall stopped by the iZotope booth at NAB 2014 to talk about RX 3 with Evan Allen. With remedies for noise, clipping, hum, buzz, crackles, and more, RX 3 is the most robust and best-sounding audio repair toolkit on the market. They also discuss the wide range of audio products that...

Fairlight's impressive new audio engine

April 16, 2014, 09:39 PM

http://www.redsharknews.com/audio/item/1614-fairli...

The latest iteration of the Fairlight Crystal Core Technology at the heart of the company's various digital audio mixing, recording and editing systems promises to deliver impressive track-counts and support immersive surround formats beyond 22.2, all on a single PCIe card. FairlightDigital audio

Logic Pro Expert All Compressor Plugins 40% Off at

April 16, 2014, 07:55 AM

http://logic-pro-expert.com/logic-pro-blog/2014/04...

Softube started a huge sale on all of their compressor plug-ins – Compressor Craze – with prices slamming down a hefty 40%.

SoundWorks Collection - 14 Studio Etiquette Tips t

April 16, 2014, 07:55 AM

http://soundworkscollection.com/news/14-studio-eti...

Knowing the proper etiquette while recording is almost as important as doing your gig. If you make people uncomfortable or do something that’s considered out of place and chances are that you won’t be asked back.

NAB: Sound Devices’ Jon Tatooles on new Pix reco

April 15, 2014, 10:11 PM

http://postperspective.com/nab-sound-devices-jon-t...

Las Vegas — Sound Devices  was at NAB showing its latest Pix recorders, the Pix 270i and Pix 250i, which are designed to replace tape- and disc-based video decks for multiple-source video productions. Sound Devices co-founder Jon Tatooles was kind enough to give us a short rundown on the new Pix recorders. See the video […]The post NAB: Sound Devices’ Jon Tatooles on new Pix recorders appeared first on postPerspective - Randi Altman's postPerspective.

Softube - Koen Heldens' mix bus tips

April 15, 2014, 12:51 PM

http://www.softube.com/index.php?id=heldens-mixbus

Among mix engineers, it's debated whether it's a good idea or not to use processing across the mix bus. Mix engineer Koen Heldens (Beyoncé, Lil Wayne, Timbaland, Missy Elliott and Rihanna) resides in the camp that advocates mix bus processing. Here's his go to mix bus setup for a modern pop/urban radio sound!

Hans Zimmer to Score BATMAN VS. SUPERMAN

April 15, 2014, 12:50 PM

http://collider.com/hans-zimmer-batman-vs-superman...

Though director Zack Snyder’s Superman redo Man of Steel proved to be a slightly divisive film, one of the highlights that most can agree on is composer Hans Zimmer’s score. Following in the footsteps of John Williams’ iconic Superman theme was no easy task, but Zimmer succeeded in crafting something wholly separate from the 1978 classic that helped reinvent Superman for our modern age. It also marked a shift for Snyder, who had collaborated with composer Tyler Bates on all of his previous...

Dolby Has A Vision For The Future

April 15, 2014, 07:45 AM

http://www.larryjordan.biz/dolby-has-a-vision-for-...

This morning, I was invited to a technology briefing at Dolby Labs looking at their latest technology for improving image quality: Dolby Vision.

The Trouble With Rain: Designing the Sounds of Noa

April 14, 2014, 07:27 PM

http://library.creativecow.net/wilson_tim/VFX_NOAH...

To add new dimensions to the soundscapes of Darren Aronofsky's Noah, Supervising Sound Editor Craig Henighan took advantage of the new Dolby Atmos mixing stage at Deluxe New York to place movie audiences in the middle of the storm.

National Film and Sound Archive restructures

April 14, 2014, 07:27 PM

http://if.com.au/2014/04/14/article/National-Film-...

The National Film and Sound Archive is shedding jobs and reducing its touring program and the number of events at its Arc cinema in Canberra.

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