It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 5, 2014, 09:30 AM
http://www.redsharknews.com/post/item/1739-rebuild...
The story is familiar and even some of the catchphrases are the same. But José Padilha’s reworking of the iconic 1987 action movie is an altogether sleeker affair RobocopCGIJosé PadilhaTotal RecallStarship TroopersFramestore
June 5, 2014, 09:29 AM
http://blogs.adobe.com/richardcurtis/?p=3147
The Creative Cloud add-ons marketplace website was released recently; https://creative.adobe.com/addons. It supports the 14 different Adobe desktop apps including Premiere Pro. We would love to see your product on Adobe Add-ons. If you would like to publish something then head over to the producer website ( https://www.adobeexchange.com/producer).
June 5, 2014, 04:33 AM
http://www.redsharknews.com/post/item/1735-pixar-t...
Yes, that’s pretty much the industry-leading rendering software behind numerous animation blockbusters yours for free as long as you’re planning non-commercial use. RendermanPixarRenderer
June 4, 2014, 02:14 PM
http://postperspective.com/creating-domes-sound-ex...
By Jennifer Walden Imagine living your life under an invisible dome that offers no escape, seeing the same people in the same town day after day… oh, and the “prison” you call home has supernatural powers that might or might not be evil. That’s what the residents of the fictional town of Under the Dome’s […]The post Creating Under the Dome’s sound experience appeared first on postPerspective - Randi Altman's postPerspective.
June 4, 2014, 02:14 PM
http://www.studiodaily.com/2014/06/grading-house-o...
Working on a show for Netflix isn't your typical episodic TV job. For one thing, an entire season of TV is released to Netflix viewers all at once, which creates a nontraditional production schedule. For another thing, Netflix is committed … more »
June 4, 2014, 02:14 PM
http://www.premiumbeat.com/blog/casting-a-water-re...
Follow our ray-trace tutorial for After Effects and give any text or graphic element a realistic water reflection.
June 4, 2014, 02:13 PM
http://editorunderconstruction.blogspot.com/2014/0...
1) "Multiple clips and sequences can be sent to Adobe Media Encoder at once"so you should be able to take your media in the project panel and run it thru AME to create low res proxies in one go. at least according to this: http://blogs.adobe.com/premierepro/2013/09/adobe-premiere-pro-cc-october-20...2) Premiere's native re-link has gotten better..be sure to look over the docs here: http://tv.adobe.com/watch/learn-premiere-pro-cc/using-link-media-to-quickly...PC Workflow:Relink tool:http...
June 4, 2014, 02:13 PM
http://www.hollywoodreporter.com/news/fault-stars-...
Throughout the film adaptation of John Green's best-selling novel, white boxes with rounded corners and contrasting fonts appear onscreen whenever Shailene Woodley's Hazel Grace Lancaster and Ansel Elgort's Augustus Waters are flirtatiously texting about the books they've recommended to each other. The scene seems familiar not only because of the "young love" feelings that fly between them with every scribbled word, but also because of the visual design to bring their texts to the big screen in ...
June 4, 2014, 09:48 AM
http://provideocoalition.com/pvcexclusive/story/an...
While Patrick Inhofer is no stranger to ProVideo Coalition, much of his energy and output over the past few years has been on his site, the Tao of Color Grading. His focus there is around color grading & finishing, but he admits that is one part technology, one part art, and ten parts...
June 4, 2014, 09:48 AM
http://www.improv.no/film-trailers-as-a-teaching-t...
As an editor, I’m always on the warpath for a structure. Whilst that might sound like a rather mundane formulaic approach to editing, structure can come in many forms and stem from varying […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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