It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2019, 05:02 AM
https://news.creativecow.net/story/895732
(Brooklyn, NY--February 6, 2019) Pro Sound Effects®, the next level sound effects library company, has released Ann’s Animals – the fifth exclusive library from their partnership with renowned recordist and film sound pioneer, Ann Kroeber. Ann’s Animals features a unique variety of animal sounds and vocalizations including common, wild, and exotic creatures ranging from pigs to capuchin monkeys, tigers, caribou and more.
February 6, 2019, 11:37 AM
https://greyscalegorilla.com/tutorials/rgb-cmyk-ar...
Give an RGB image a 4-color CMYK printed look with this Arnold shader. Plus download the free scene file to follow along with and experiment.
February 5, 2019, 07:30 AM
https://digitalfilms.wordpress.com/2019/02/04/glas...
Writer/director M. Night Shyamalan has become synonymous with films about the supernatural that end with a twist. He first gained broad attention with The Sixth Sense and in the two decades since, has written, produced, and directed a range of large and small films. In recent years, he has taken a more independent route to […]
February 4, 2019, 05:05 AM
https://www.screeneditors.com.au/edward-mcqueen-ma...
The first time I stepped into an editing room I knew I was home and that this would become the rest of my life. In my 53 years in the film industry I have had the opportunity to work with some amazing people on a range of projects and in several countries. I was fortunate […]
February 1, 2019, 11:43 AM
http://www.fcp.co/final-cut-pro/news/2146-import-a...
What happens when you combine Apple's native 3D SceneKit and FXPlug? You get Eneo3D, a new $60 plugin that allows you to import animated 3D models, light them, subject them to physics and of course use them in FCPX.
February 1, 2019, 06:00 AM
http://www.animationmagazine.net/people/ves-reveal...
The Visual Effects Society (VES) announced its 2019 Board of Directors officers, elected at the January 2019 Board meeting. The officers include Mike Chambers, who was re-elected as Board Chair. The new leadership team also includes the first elected Board officer from outside North America, reflecting the diverse membership of the international Society.
January 31, 2019, 01:51 PM
https://medium.com/@Palette/how-palette-gear-can-m...
No Film School’s Piotr Toczyński reviews Palette Gear's hardware controls for editing in Premiere Pro.
#premiere pro#post production#video editing#editing gear#gear#palette gear#gear reviewJanuary 31, 2019, 01:01 PM
https://postperspective.com/industry-vets-open-edi...
Made-SF, a creative studio offering editorial and other services, has been launched by executive producer Jon Ettinger, editor/director Doug Walker, and editors Brian Lagerhausen and Connor McDonald, all formerly of Beast Editorial. Along with creative editorial (Adobe Premiere), the company will provide motion graphic design (After Effects, Mocha), color correction and editorial finishing (likely Flame and Resolve). Continue reading → January 31, 2019 The post Industry vets open editori...
January 31, 2019, 05:23 AM
http://www.fcp.co/final-cut-pro/news/2145-the-fast...
Were you sad to hear the SuperMeet wasn't going to happen at NAB 2019? We can break the news that LumaForge has just announced that a replacement Tuesday night event will be held and yes, Michael Horton will be holding the world famous raffle!
January 30, 2019, 05:47 AM
http://www.animationmagazine.net/people/legend-3d-...
Legend 3D welcomes two multiple award-winning creatives to key positions in its global organization, with the addition of Meetal Gokul as Director of Post Production and Senior Colorist in its Hollywood facility, and Jay Mehta as VFX Supervisor at its Pune, India studio. That announcement was made by CEO Aidan Foley. Gokul will work closely with Legend’s Office of Operations heads Jeff Shapiro (Production) and Jeremy Nicolaides (Creative). Mehta will report in to Los Angeles-based Creative Dir...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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