It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 1, 2018, 10:38 AM
http://blogs.adobe.com/creative/after-effects-25-j...
After Effects wird 25! Ein Grund für uns zurück auf die Anfänge von After Effects, hin zum aktuellen Hollywood-Erfolg und der Zukunft von Motion Grafics und VFX zu blicken. Sattgrüne Vegetation, blutige Szenen, kolossale Dinosaurier, die ein prähistorisches Land durchstreifen. Im Juni 1993 revolutionierte Jurassic Park die Filmindustrie mit aufregend realistischen visuellen Effekten (VFX). After Effects hatte erst im Januar offiziell debütiert, und obwohl die Version 1.0 recht einfach...
March 1, 2018, 10:37 AM
https://www.hollywoodreporter.com/news/are-oscars-...
The 90th annual Academy Awards return March 4 — one year after an incorrectly announced best picture winner dominated post-show headlines. But this Oscars ceremony is significant not just for last year's slip-up: With the strong presence of African-American-created films like Get Out and Mudbound, it is also a year of firsts.
March 1, 2018, 06:52 AM
https://www.provideocoalition.com/6k-native-on-6be...
Vashi Nedomansky edited the film “6 Below: Miracle on the Mountain” which is the first feature film edited natively in 6K resolution. While visiting Sundance 2018, I had a chance to sit down with Vashi and talk through the creative and technical challenges of post-production on this film.
February 28, 2018, 05:53 PM
http://www.studiodaily.com/2018/02/hpa-tech-retrea...
The HPA Tech Retreat this year was bigger than ever and just as fascinating, as it touched on topics as disparate as high dynamic range, high frame rates, ACES, artificial intelligence and computer vision. Here’s a high-level summary. High Dynamic Range (HDR) Panelists described the ongoing integration of HDR into production and post pipelines, as well […] The post 2018 HPA Tech Retreat: What We Heard About HDR, HFR, ATSC 3.0, ACESnext and More appeared first on Studio Daily.
February 28, 2018, 01:41 PM
http://postperspective.com/behind-title-arcade-edi...
NAME: Ali Mao COMPANY: Arcade Edit in New York City CAN YOU DESCRIBE YOUR COMPANY? Arcade is a film and television editorial house with offices located in Los Angeles and New York City. WHAT’S YOUR JOB TITLE? Continue reading → February 28, 2018 The post Behind the Title: Arcade Edit’s Ali Mao appeared first on Randi Altman's postPerspective.
February 28, 2018, 10:26 AM
https://petapixel.com/2018/02/28/sandisks-new-extr...
Western Digital has announced the new SanDisk Extreme 400GB UHS-I microSD, the world’s fastest-ever microSD card.
February 28, 2018, 06:09 AM
http://www.digitalproductionbuzz.com/2018/02/digit...
This week on The BuZZ we look at renting gear. With new gear evolving so quickly, sometimes it's better NOT to buy new equipment, but to rent it when you need it. Tonight we look at renting from the perspective of the person who needs the gear and the person that owns it. Join host Larry Jordan as he talks with Ned Soltz, James DeRuvo, Carl Cook, Les Zellan and James DeRuvo. Ins and Outs of Renting Gear A personal experience in renting Renting gear from a rental house Selling lenses...
February 28, 2018, 06:09 AM
https://filmschoolrejects.com/must-watch-video-ess...
Do you love Alfred Hitchcock's films? Of course you do! Here are five video essays that will deepen and reaffirm your live for the Master of Suspense.
February 27, 2018, 06:16 PM
http://postperspective.com/review-digital-anarchys...
By Brady Betzel One of the most time consuming parts of editing can be dealing with the pre-post, including organizing scripts and transcriptions of interviews. In the past, I have used and loved Avid’s ScriptSync and Phrase Find. These days with people becoming more comfortable with other NLEs, Continue reading → February 27, 2018 The post Review: Digital Anarchy’s Transcriptive plugin for Adobe Premiere appeared first on Randi Altman's postPerspective.
February 27, 2018, 01:16 PM
http://designingsound.org/2018/02/avid-terminates-...
In a recent press release Avid announced the termination of Louis Hernandez effective immediately due to violation of Company policies related to workplace conduct. Jeff Rosica was appointed new CEO, who prior to his role as President served as Senior Vice President, Chief Sales and Marketing Officer for the Company. You can read the full […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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