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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ART OF THE CUT with the editors of “Deadliest Ca

June 11, 2020, 01:16 PM

https://www.provideocoalition.com/aotc-deadliest-c...

In this episode, I’m talking with the many of the editors of The Discovery Channel’s Deadliest Catch. The team has been nominated almost every single year for over a decade for ACE Eddies – including this year (and won in 2010). They’ve also been nominated for Primetime Emmys almost every year – including this year [...]Read More...

FCP.co Live Show 12 'UNFCPX' and 3D 180 Editing

June 10, 2020, 01:15 PM

https://www.fcp.co/final-cut-pro/articles/2278-fcp...

Show 12 on Tuesday June the 9th brings us some 'unexpected' Final Cut Pro X tutorials from Mike Matzdorff and Michael Yanovich. Both (hopefully) will be with us. We also talk about producing 3D 180 content with FCPX for The Slow Mo Guys with Daniel Fabelo.

Mike Matzdorff and Michael Yanovich Release 'Unau

June 10, 2020, 01:15 PM

https://www.fcp.co/final-cut-pro/tutorials/2279-mi...

Mike Matzdorff and Michael Yanovich have been busy making tutorials during lockdown. Today they have released the first two in a five part series. Titled 'Unauthorised FCPX' they are aimed at editors taking another look at Final Cut Pro X.

SMPTE's 'Ask A Hollywood Expert' Webinar series

June 9, 2020, 01:16 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — SMPTE Hollywood has launched a new Webinar series aimed at young people interested in behind-the-scenes careers in the entertainment industry. The Ask A Hollywood Expert series will features successful, young professionals across a range of technical disciplines, including post production, visual effects and editorial. They will talking about how they got their start and what they learned as they advanced in their careers.

Media Composer Manual Activation Using Avid Link

June 9, 2020, 01:15 PM

https://www.youtube.com/watch?v=Za9ZxPDgONQ

For detailed instructions on how to install Media Composer in a macOS computer, visit this article: http://avid.force.com/pkb/articles/en_US/How_To/Media-Composer-Installation-macOS For Windows installation visit: http://avid.force.com/pkb/articles/en_US/How_To/Media-Composer-Installation-Windows How to download Media Composer, visit: http://avid.force.com/pkb/articles/en_US/how_to/Download-Media-Composer-Installers Activate Media Composer via Avid Link: http://avid.force.com...

Creating The Slow Mo Guys VR180 in Final Cut Pro X

June 9, 2020, 01:14 PM

https://www.fcp.co/final-cut-pro/articles/2276-cre...

Explosions, fire, paint, slow motion & 3D 180 - What more could you want? Daniel Fabelo runs through the Final Cut Pro X workflow he uses editing for the popular YouTube channel The Slow Mo Guys. 

Ecamm Live: computer selection for demanding matte

June 9, 2020, 01:13 PM

https://www.provideocoalition.com/ecamm-live-compu...

Many content producers have already made the core decision to use the NDI-powered Ecamm Live software for their studio to switch among local cameras, scenes with professional lower thirds and up to five live remote guests. Among the many equipment decisions to be made when planning a studio based on Ecamm Live is which macOS [...]Read More...

Kicking the Tires on BeBop Technology and remote v

June 9, 2020, 01:13 PM

https://www.provideocoalition.com/kicking-the-tire...

True remote video editing takes some work to set up. It has to be fast. The system has to respond like it would if you were sitting in front of the NLE and the media was next to your desk or just down the hall. There has to be true audio and video sync. BeBop [...]Read More...

The Top Mobile Editing Tools for Filmmakers on the

June 6, 2020, 06:52 PM

https://www.premiumbeat.com/blog/top-video-editing...

From basic cutting to adding effects and animations, here’s what to look for in a mobile video editing platform. Video editing has never been the most accessible ...

Is good enough finally good enough?

June 6, 2020, 06:51 PM

https://digitalfilms.wordpress.com/2020/06/05/is-g...

Like many in post, I have spent weeks in a WFH (work from home) mode. Although I’m back in the office now on a limited basis, part of those weeks included studying the various webinars covering remote post workflows. Not as a solution for now, but to see what worked and what didn’t for the […]

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