To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Industry News
New Boris FX Sapphire 2022 Continuum 2022 Relea
November 19, 2021, 08:42 AM
https://www.toolfarm.com/news/sapphire-continuum-2...
Boris FX Sapphire 2022 & Continuum 2022 were released today. Each package includes loads of new features and improvements. Below, read the press release about all of the new features.
ILM to build virtual production stage in Vancouver
November 18, 2021, 09:10 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
SAN FRANCISCO – Visual effects/virtual production studio Industrial Light & Magic (www.ilm.com) has announced plans to expand its StageCraft LED virtual production services to Vancouver, British Columbia. The 20,000-square-foot stage will house one of the largest StageCraft LED volumes in North America. The new space will be ILM’s fifth permanent volume, as the company already runs three stages in Los Angeles, as well as one at Pinewood Studios in London.
ILM Expands StageCraft LED Virtual Production to Vancouver
November 18, 2021, 09:09 AM
https://postperspective.com/ilm-expands-stagecraft...
Visual effects and virtual production studio Industrial Light & Magic (ILM) is expanding its StageCraft LED virtual production services to Vancouver. The stage, at over 20,000 square feet, is expected to house one of the largest StageCraft LED volumes in North America. This will be ILM’s fifth permanent volume, Continue reading → November 17, 2021 The post ILM Expands StageCraft LED Virtual Production to Vancouver appeared first on postPerspective.
Virtual Post Opens in Brighton Targeting On-Prem and Remote
November 17, 2021, 08:23 AM
https://postperspective.com/virtual-post-opens-in-...
New virtual production stage coming to Atlanta
November 10, 2021, 09:13 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
ATLANTA — NEP Virtual Studios (www.nepgroup.com/virtual-studios) and Trilith Studios (www.trilithstudios.com) announced plans for a new virtual production facility in Atlanta. The Prysm Stage at Trilith Studios is being built from the ground up for virtual production, and will offer filmmakers stable and advanced realtime workflows and technology, all operated by experienced virtual production pros.
Luis Reggiardo takes on new role as colorist at Digital Orchard
November 10, 2021, 09:13 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
CHALFONT SAINT GILES, UK — Film and digital services company Digital Orchard (www.digitalorchardgroup.com) has announced that Luis Reggiardo will be joining their picture post team as a colorist. Reggiardo has been part of the Digital Orchard team, working as a DIT and on-set colorist for feature films and HETV for several years. He will now make the move to full-time colorist based at the company’s post production facility, here.
MPC reveals VFX work on Ridley Scott's The Last Duel
November 9, 2021, 08:36 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON – Director Ridley Scott’s The Last Duel brings to audiences the tale of gripping betrayal and vengeance, set against the brutality of 14th century France. Technicolor Creative Studios’ production supervisors Gary Brozenich and Jessica Norman worked alongside MPC Film (mpcfilm.com) VFX supervisor Sebastien Raets, VFX producer Skye Radies and teams in London, Montreal and Bangalore, delivering over 180 shots, and with VFX supervisor Yann Blondel, VFX producer Kristina Prilukova and ...
Tim Stevenson appointed VFX supervisor at Mels Studios
November 8, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
MONTREAL — Mels Studios (www.mels-studios.com) has appointed Tim Stevenson visual effects supervisor. The company offers soundstage and equipment rentals, visual effects, sound and picture post production, mobile unit rental, a virtual production stage and distribution services. Stevenson is an industry veteran with 25 years of experience in VFX and animation. His credits include work on Avatar, Jurassic Park (II and III), Happy Feet, and most recently, VFX supervision on the Netflix...
Vincent Taylor Joins Harbor as Senior Colorist
November 8, 2021, 08:39 AM
https://postperspective.com/vincent-taylor-joins-h...
Harbor has beefed up its color team with the addition of Vincent Taylor as senior colorist. This veteran post pro has previously held similar positions MPC Shanghai, MPC New York, Chimney New York and The Lab in Sydney. Taylor will be working out of New York for the rest of 2021 and then relocating to Los Angeles in the new year. Continue reading → November 3, 2021 The post Vincent Taylor Joins Harbor as Senior Colorist appeared first on postPerspective.
Goodbye Kansas Studios creates VFX for Locke and Key's second season
November 8, 2021, 08:39 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — Goodbye Kansas Studios (https://goodbyekansasstudios.com) delivered 82 shots and seven assets for the second season of Netflix’s supernatural horror drama, Locke and Key. Based on the comic-book series of the same name, by Joe Hill and Gabriel Rodríguez, the show follows three young children who discover mysterious keys that can be used to unlock various doors in magical ways. Goodbye Kansas Studios was one of the primary vendors for the production, with VFX supervisor Ditch ...
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