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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MAXON CINEMA 4D Helps Savannah College of Art

January 31, 2014, 01:37 PM

http://www.creativeplanetnetwork.com/the_wire/2014...

Newbury Park, CA – January 31, 2014 – MAXON, the leading developer of professional 3D modeling, painting, animation and rendering solutions, announced that a group of Savannah College of Art and Design® (SCAD) students, relied on CINEMA 4D, its industry-leading motion graphics software, to help develop and design the animated opening concepts for the FOX Sports Super Bowl XLVIII game-day broadcast on February 2, 2014.

NETIA NRB Show Preview

January 30, 2014, 01:22 PM

http://soundandpicture.com/2014/01/netia-nrb-show-...

January 30, 2014 – At NRB 2014, NETIA will showcase the latest version of its powerful Radio-Assist™ range of digital audio automation software. Radio-Assist 8.2 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, along with two significant new features: an integrated music-scheduling application and a video editing capability. Users can access both new features from a single user interface.

AmberFin to Unveil New Version of iCR at NAB 2014

January 30, 2014, 01:22 PM

http://www.broadcastbeat.com/index.php/amberfin-un...

Basingstoke, UK – At NAB 2014, on booth SU8505 AmberFin, a leading developer of file-based media ingest, transcoding and quality control solutions for owners, broadcasters, sports organizations and post-production houses, will unveil version 10 of its iCR software. The new version will include support for new codecs and wrappers, new enterprise class-features, a new option for 2:3 adaptive cadence correction and enhancements to UQC, AmberFin’s Unified Quality Control platform.

Trumpeting the Sounds of a Success

January 30, 2014, 01:21 PM

http://www.prnewswire.com/news-releases/trumpeting...

CHULA VISTA, Calif., Jan. 30, 2014 /PRNewswire/ -- The Chula Vista Elementary School District (CVESD), San Diego Youth Symphony and Conservatory (SDYS) and San Diego County Office of Education Visual and Performing Arts (VAPA) today announced a new partnership with VH1 Save The Music Foundation to ensure all children experience the positive effects of music education.

Matrox Mojito 4K Now Offers 4K 10-bit H.264

January 30, 2014, 05:43 AM

http://cinescopophilia.com/matrox-mojito-4k-now-of...

Matrox Video have announced the immediate availability of 10-bit H.264 intra-frame rendering with the Matrox Mojito 4K quad 3G-SDI 4K video monitoring card for use with Adobe Premiere Pro CC on Windows platforms.

Proavio Delivers New SSD Powered DS240 Storage Sol

January 30, 2014, 05:42 AM

http://www.digitalproductionbuzz.com/2014/01/proav...

Proavio DS240 offers high availability, greater density and SSD performance with emphasis on 4K cinema production workflows.

TOP Editors to be honoured by ACE

January 29, 2014, 05:45 AM

http://www.hollywoodreporter.com/behind-screen/edi...

Richard Halsey, who won an Oscar and ACE Eddie Award for editing Rocky; and Robert C. Jones, who won an Oscar for writing Coming Home and earned three nominations for editing, will receive Career Achievement Awards at American Cinema Editors' annual Eddie Awards, Feb. 7 at the Beverly Hilton. Also during the ceremony, the ACE Heritage Award will be presented to the organization's past president, Randy Roberts.

AJA Ships Io 4K; Professional Video I/O for New Ma

January 28, 2014, 08:10 PM

http://www.creativeplanetnetwork.com/the_wire/2014...

Grass Valley, CA – AJA Video Systems today announced availability of Io 4K, an evolution of its popular devices for professional video I/O, updated and customized for Thunderbolt™ 2 technology and the latest 4K workflows. Io 4K connects to any Thunderbolt™ 2-enabled device such as the new Mac Pro, and uniquely offers an additional Thunderbolt™ 2 port for daisy-chaining other peripherals in supported workflows.

Wolf of Wall Street DVD to Include an Extended Cut

January 28, 2014, 11:01 AM

http://collider.com/the-wolf-of-wall-street-extend...

When Steve interviewed Martin Scorsese‘s longtime editor Thelma Schoonmaker for The Wolf of Wall Street, she revealed that the assembly cut (i.e., the editor’s first cut of the picture) was about four hours long, and while a lot of people “loved it” at that length, it was too long meet the distribution demands of the studio, which capped out at three hours (the final cut was 179 minutes).

FACT: Government Pays 60% of BC VFX Salaries

January 28, 2014, 05:35 AM

http://vfxsoldier.wordpress.com/2014/01/27/fact-go...

In my last post many commenters were surprised by the fact that 60% (58.42% to be exact) of the salaries of BC resident VFX artists were paid by the government. Quickly after that post, commenters accused me a lying and all kinds of wacky outrage.

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