It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 23, 2016, 09:27 AM
https://www.aotg.com/sigma-expands-its-global-vision-lens-line/
50-100mm is first constant aperture F1.8 telephoto zoom; 30mm represents first affordable F1.4 high-performance lens for mirrorless cameras
#lens#sigma#global vision#telephoto zoomFebruary 23, 2016, 09:05 AM
https://www.aotg.com/sigma-converter-expands-options-for-sony-cameras/
Brings Sigma’s Global Vision Lenses to the Sony E-Mount Camera Family
#sony#camera#dslr#lens#sigma#mount converter#mc-11#global visionFebruary 18, 2016, 10:28 PM
https://www.aotg.com/pixspan-expands-global-presence/
PIXSPAN EXPANDS GLOBAL PRESENCE, ANNOUNCES STRATEGIC AGREEMENT WITH XTFX
#nab#new#tech#pixspan#xtfx#global#expandingFebruary 3, 2016, 09:07 AM
https://www.aotg.com/rodeo-fx-wins-ves-award-for-game-of-thrones/
Another award for Montreal post studio
February 2, 2016, 12:58 PM
https://www.aotg.com/miller-camera-supports-will-holloway/
When Will Holloway, owner of Iron Horse America Video/Media, filmed “Southwest Road Trip,” a working title given to his most recent project of capturing scenic icons in southwest America, he relied on his Compass 20 Solo DV 3-Stage Carbon Fiber System from Miller Camera Support, LLC, a leader in the production of innovating camera support solutions.
#miller camera supportJanuary 20, 2016, 07:45 AM
https://www.aotg.com/video-devices-brings-focus-at-kmov-studios/
Monitor Provides Seamless Workflow Integration Even in Harshest Production Environments
January 12, 2016, 03:09 PM
https://www.aotg.com/red-giant-films-presents-go-bag/
Action-packed short film. Written and directed by Seth Worley. Masterful visual effects and postproduction done with the help of Red Giant Trapcode Suite, Magic Bullet Suite, Keying Suite and more.
#vfx#red giant#cgi#short film#magic bullet#seth worley#trapcode suite 13#go bag#action filmJanuary 12, 2016, 10:34 AM
https://www.aotg.com/miller-features-latest-solutions-at-bve-2016/
Compass 23 Fluid Head 100mm Entry Model and Cineline 2090 Tripod System Provide Solutions to All Levels of the Market
January 6, 2016, 03:12 AM
https://www.aotg.com/zero-vfx-expands-with-opening-of-la-office/
Leading visual effects and creative studio ZERO VFX has opened a new 5,000-square-foot office in Venice Beach, California, expanding on ZERO’s long-term Boston headquarters. This new bi-coastal approach to operations will enable ZERO to continue delivering high-end visual effects to feature films such as Southpaw and Black Mass, while also continuing to develop in the commercials sector.
#vfx#film#la#commercials#zero vfx#advertisingDecember 17, 2015, 09:43 AM
https://www.aotg.com/oblique-fx-delivers-visual-effects-for-sicarititle/
Oblique FX created 123 visual effects shots for Sicario, the latest film from director Denis Villeneuve. Oblique FX, the main visual effects vendor on the project, contributed CG vehicles, set extensions, blood and wound effects, and, in one grisly scene, mutilated bodies hanging from a bridge - all indistinguishable from the live action elements in the film.
#vfx
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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