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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

‘Morganville: The Series’ Uses DaVinci Resolve

July 30, 2014, 09:40 AM

https://www.aotg.com/morganville-the-series-uses-davinci-resolve/

Fremont, CA - July 30, 2014 - Blackmagic Design today announced that “Morganville,” a new digital series based on the best selling “Morganville Vampires” novels by Rachel Caine, is being shot on Blackmagic Cinema Cameras, Production Camera 4Ks and Pocket Cinema Cameras and graded using DaVinci Resolve.

#blackmagic design#davinci resolve#blackmagic cinema camera#pocket cinema camera#production camera 4k
2014 release of Adobe SpeedGrade CC now available

June 18, 2014, 01:57 PM

http://blogs.adobe.com/movingcolors/2014/06/18/201...

2014 release of Adobe SpeedGrade CC now available At last we’re delighted to announce that the 2014 release of SpeedGrade CC is now available. The new version offers a more flexible Direct Link workflow with Premiere Pro, Master Clip effect, broadcast standard scopes, including a brand new YUV Vectorscope (much requested), an improved Look Manager, and more. You can read more about the new features in our earlier blog post from NAB 2014. This SpeedGrade CC release is part of a much large...

Creative Post breaks the Ice with Mistika in the s

June 11, 2014, 01:10 PM

http://www.sgo.es/2014/06/creative-post-breaks-the...

Mistika melted hearts at Creative Post 10 June 2014, Toronto, Canada – Supervising Editor Adrian Saywell at Toronto’s Creative Post Inc. discusses the challenges ofRead more...

SGO Sponsors Creative Week at BAFTA

May 30, 2014, 09:54 AM

http://www.sgo.es/2014/05/sgo-sponsors-creative-we...

Showcasing Excellence in Creative Output | 2 – 6 June 2014 – BAFTA, 195 Piccadilly London W1J 9LN 30 May 2014, London, UK – SGORead more...

“Kill Game” Shot on Blackmagic Cinema Camera

May 19, 2014, 02:31 PM

https://www.aotg.com/kill-game-shot-on-blackmagic-cinema-camera/

Fremont, CA - May 19, 2014 - Blackmagic Design today announced that “Kill Game,” a new suspense thriller/horror film produced by Marty Murray of Full Throttle Pictures and distributed by Vantage Media International (VMI), and being screened at the upcoming Cannes Film Festival, was shot entirely on the Blackmagic Cinema Camera EF and graded and edited using DaVinci Resolve.

#blackmagic design#davinci resolve#horror#blackmagic cinema camera#cannes#kill game
Assimilate Users Mac 2014 Cannes Splash

May 14, 2014, 06:00 AM

http://www.aotg.com/download_files/assimilate_news...

Santa Clara, CA, May 14, 2014 – At the 67th Festival de Cannes, May 14 - 25, several films on the competition roster have been created by filmmakers whose post-production companies used ASSIMILATE’s SCRATCH® DI software in their digital workflows for conform, color grading, and finishing, and/or SCRATCH Lab®...

DaVinci Resolve 10 Used on “Need for Speed"

March 24, 2014, 03:03 PM

https://www.aotg.com/davinci-resolve-10-used-on-need-for-speed/

Fremont, CA - March 24, 2014 - Blackmagic Design today announced that DaVinci Resolve 10 was used by freelance colorist Mark Todd Osborne for advanced color on the Hollywood film “Need for Speed.” Osborne worked at LA based production and post company Bandito Brothers’ state of the art facility on the 2K DI color for various screenings and previews.

#blackmagic design#davinci resolve#need for speed#dreamworks
Pocket Cinema Camera Used On McDonalds Ad Campaign

March 17, 2014, 04:43 PM

https://www.aotg.com/pocket-cinema-camera-used-on-mcdonalds-ad-campaign/

Fremont, CA - March 17, 2014 - Blackmagic Design today announced that the Pocket Cinema Camera was used to shoot the first person point of view footage for McDonalds’ recent “SuperGood” ad campaign produced by Stern Advertising. Joe Murray, of Los Angeles and Woodside, CA based production company Native Sons Films, was the director and cinematographer, and he used DaVinci Resolve 10 to transcode the Pocket Cinema Camera footage and to color correct the director’s version of the edit.

#blackmagic design#davinci resolve#pocket cinema camera#mcdonalds
Lady Antebellum video Graded on DaVinci Resolve 10

February 20, 2014, 11:03 AM

https://www.aotg.com/lady-antebellum-video-graded-on-davinci-resolve-10/

Fremont, CA - February 20, 2014 - Blackmagic Design today announced that DaVinci Resolve 10 was used by Gavin Fisher of LA based production and post facility Fisher Film Works for color grading Lady Antebellum’s “Compass” music video.

#blackmagic design#davinci resolve#color correction#lady antebellum

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