It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 3, 2017, 01:45 PM
https://www.aotg.com/cineo-unveils-quantum-c80-at-nab-2017/
Lighting Fixture Features First Implementation of Cineo's Color Control Technology
#nab#cineo lightingMarch 30, 2017, 01:53 PM
https://www.aotg.com/ursa-mini-4k-used-on-hit-japanese-film/
Blackmagic Design today announced that URSA Mini 4K EF was used for shooting visual effects (VFX) shots for popular filmmaker Takashi Yamazaki’s latest hit film, “A Man Called Pirate (Kaizoku to Yobareta Otoko).” The RAW footage from the URSA Mini was debayered using DaVinci Resolve Studio and then used for compositing.
#vfx#post production#camera#compositingMarch 28, 2017, 08:39 AM
https://www.aotg.com/pliant-technologies-announces-mexico-distributor/
Pliant Technologies, the new professional division of CoachComm, has named Grupo Audio Diseño as its new distributor in Mexico. Grupo Audio Diseño will help Pliant increase regional support for its customers as well as further develop relationships in Mexico.
#pliant#pliant technologiesMarch 24, 2017, 10:43 AM
https://www.aotg.com/japans-hbc-flex-installs-cintel-film-scanner/
Blackmagic Design today announced that HBC Flex has installed a Blackmagic Cintel Film Scanner to archive numerous films they have produced over their more than 50 years of filmmaking.
#color grading#post production#film scanningMarch 21, 2017, 11:42 AM
https://www.aotg.com/dpa-microphones-shows-off-wireless-at-nab-2017/
With the industry migrating towards a wireless workflow, DPA Microphones will showcase its GSM4000 Gooseneck Shock Mount Accessory and MMP-G Modular Active Cable for MicroDot, as the latest addition to its display of sought-after broadcast microphones, at NAB 2017 (Booth C3336). These accessories create a completely wireless microphone setup, while maintaining high-quality audio during live and recorded broadcasts.
#dpaMarch 14, 2017, 01:40 PM
https://www.aotg.com/flesh-and-blood-graded-with-davinci-resolve/
2017 South By Southwest (SXSW) debut film “Flesh and Blood” was shot with several of Blackmagic Design’s digital film cameras, including URSA Mini 4.6K, Production Camera 4K and Pocket Cinema Camera, by DP Patrice Lucien Cochet. Producer and Post Production Supervisor Dustin Hughes also used Blackmagic Design’s professional editing, color grading and finishing solution DaVinci Resolve Studio to color grade the film, as well as Fusion for visual effects (VFX) work.
#vfx#color grading#post productionMarch 14, 2017, 01:37 PM
https://www.aotg.com/sound-design-uses-fairlight-for-grammy-awards/
Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY® Awards. For more than 20 years, Fairlight has helped Sound Design Corporation deliver all its audio post and broadcast projects, including variety and award shows, television series and specials, documentaries, shorts, commercials, video games and more.
#editing#audio#mixing#sound designMarch 13, 2017, 10:13 AM
https://www.aotg.com/a-few-less-men-graded-with-davinci-resolve-studio/
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Deidre McClelland, CSI, to grade the hit comedy sequel “A Few Less Men” at full-service post studio The Post Lounge’s new Melbourne facility.
#vfx#color grading#post production#color correctionMarch 7, 2017, 10:25 AM
https://www.aotg.com/miller-helps-support-the-plastic-project/
As a producer and director who also has an honors degree in genetics and a personal interest in surfing, Mike Cunliffe brings this eclectic set of skills and knowledge to any project in which he is involved. All were recently enlisted for his latest campaign, "The Plastic Project," which documents the negative effects plastic has on the environment on both a macro and micro level.
March 6, 2017, 11:31 AM
https://www.aotg.com/cine-plus-delivers-hdr-grade-with-davinci-resolve/
Blackmagic Design today announced that Berlin post house Cine Plus has completed its first high dynamic range (HDR) grade in DaVinci Resolve Studio for German national broadcaster ARD’s feature length thriller, “Sanft Schläft der Tod.”
#color grading#post production#hdr#color correction
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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