To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

More LUTs from IWLTBAP

March 19, 2016, 04:16 PM

https://digitalfilms.wordpress.com/2016/03/19/more...

With more cameras shooting in some form of a log or flat color profile and more editing software being able to integrate color look-up tables (LUTs), numerous developers have designed their own LUT packages. Some, like Koji, strive to duplicate the colorimetry of certain film stocks, while others, such as SpeedLooks from LookLabs, create stylized […]

How Stanley Kubrick Used Color

March 19, 2016, 04:16 PM

http://www.visualnews.com/2016/02/19/kubrick-in-co...

Starting an in-depth conversation about Stanley Kubrick’s filmography is just a step above clearing your schedule. To dive deep into..

New Sony slog LUTS Available

March 17, 2016, 05:31 AM

http://eriknaso.com/2016/03/16/new-sony-slog-luts-...

Two new LUT’s for using in Resolve or any software that reads.cube files are available from Sony. I tried them out and I think they work great. This is from the FS7 with slog2/sgamut CINE Ei.

Blackmagic Micro Studio Camera 4K Shoots New York

March 16, 2016, 10:38 AM

http://boscpug.org/blackmagic-micro-studio-camera-...

Nine Micro Studio Camera 4Ks and nine Video Assists were used to shoot high-end fashion brand Chromat’s Fall/Winter 2016 runway show at New York Fashion Week.

Senior Colorist Rob Bessette Interview

March 16, 2016, 05:35 AM

http://www.cinematographydb.com/2016/03/mc010-seni...

In this episode of Modern Cinematographer, I speak with senior colorist Rob Bessette. Rob is a staff colorist at a high end post production company in Boston called Finish Post. Rob talks about how he discovered video in college and then got an internship at Finish and eventually became the senior colorist. We discuss the business behind a post production company and what a colorist does for a living. If you are interested in learning more about color as a DP or colorist, you will learn a lot li...

SGO Goes Virtual at NAB

March 14, 2016, 01:56 PM

https://news.creativecow.net/story/881043

(Madrid, Spain--March 12, 2016) SGO will be carving its own path this NAB, bringing its award-winning finishing system Mistika to the limelight and unveiling a multitude of incredible future-proof developments that have been in the pipeline for the past few years. Mistika will be the frontier of Virtual Reality,equipping professionals with the most innovative and accessible virtual toolsets and workflows.

Quality Color Grading LUTs for GoPro, Blackmagic,

March 12, 2016, 08:45 AM

https://www.groundcontrolcolor.com/blog/free-kille...

Back in the day, they used to "fake" color using two black and white images shot through cyan and red filters. This LUT emulates that style.

SGO promotes Geoff Mills to Managing Director

March 11, 2016, 05:47 AM

http://www.sgo.es/2016/03/sgo-promotes-geoff-mills...

SGO, well-established developer of high-end Mistika post-production software, announces the promotion of Geoff Mills to Managing Director. Already a veteran in the industry, Geoff Mills joined SGO in 2009 as Director of Sales, and was very quickly promoted to head the company’s global sales and operations as Group Director, where he spearheaded the overall international sales strategy. In his new ... Read More

U.K. Colorist Adam Inglis Launches U.S. Career thr

March 10, 2016, 01:23 PM

http://www.btlnews.com/crafts/post-production/u-k-...

British colorist Adam Inglis, whose credits include such features as Far From the Madding Crowd, Mr. Turner and Sherlock Holmes: A Game of Shadows, as well as the television mini-series Wolf Hall, has allied with Post FactoryNY, a SIM Group company, for U.S.-based feature and television projects. He has already completed two projects through Post FactoryNY, performing final grading for the independent films Little Men and Breakable You. The post U.K. Colorist Adam Inglis Launches U.S. Caree...

SGO promotes Geoff Mills to managing director

March 10, 2016, 10:16 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — SGO (www.sgo.es), the developer of the Mistika post-production system, has promoted Geoff Mills to managing director at the company. Mills joined SGO in 2009 as director of sales, and was quickly promoted to head the company's global sales and operations as group director, a position in which he spearheaded SGO’s overall international sales strategy. In his new role as managing director, he will continue to focus on driving strong customer relationships and further accelerate r...

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