It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 2, 2010, 10:30 AM
http://www.macvideo.tv/encoding/features/?articlei...
Miracle-working automatic synchronization software Pluraleyes is the absolute best way to sync sound in any less-than-ideal situation (where you don’t have perfectly synched timecode — or any timecode at all, for that matter). If you’re shooting on an HDSLR and are recording audio to a separate device, this is a must-have. Now Pluraleyes has finally come to the Mac version of Premiere Pro, and Singular Software is offering this version at a 20% discount until December 11.
December 2, 2010, 10:25 AM
http://jeffvlog.wordpress.com/2010/12/02/new-freeb...
Spy Photo: New FREE Presets For After Effects. Digieffects FreeForm AE Billowing Flags Project File from Mettle. LME Form Freebie 2
December 1, 2010, 03:43 PM
http://www.geniusdv.com/news_and_tutorials/2010/12...
Embedding chapter markers into Quicktime movies with Final Cut Pro is both easy, & useful. I discovered a new use recently when preparing interview media for review. By embedding chapter markers at the beginning of each talking point, I made it easier for my producer to review the interview footage. I also added a Timecode Generator filter to make it easy to get specific timecode. In general it is nice to add chapter markers to Quicktime movies, so that they are more navigable.
December 1, 2010, 03:39 PM
http://lfhd.net/2010/12/01/matrox-mxo2-2-1-drivers...
This means that with ANY computer, you can capture to the formats that the three major NLEs like: ProRes, DnxHD, and MPEG-2I...with their separate VETURA software. This means that I can use my MXO2 to capture footage for AVID! Well, it is still QT, and yes, Avid MC5 will still require it to be "transcoded" to MXF in order to be fully functional in the Avid workflow (export of AAF and OMF for audio). Still...pretty big step here.
December 1, 2010, 11:38 AM
http://www.studiodaily.com/main/news/12762.html
New Product Addresses the Growing Complexity of Shooting Digital. Leading visual effects software company The Foundry today launched an open beta of their brand new digital cinema camera workflow product, STORM.
December 1, 2010, 11:33 AM
http://www.scottsimmons.tv/blog/2010/11/30/useful-...
If you’re not doing anything this Thursday, December 2 at 10:00 am PST then why not drop by the Useful Applications for Digital Filmmakers webinar (register for free!) and spend 90 minutes talking about a wide range of fun and useful applications for the digital filmmaker. Here’s the description: This webinar will be a fast, fun walk-through and discussion of handy, useful Macintosh applications that would be at home in any digital filmmaker’s toolbox. The software...
December 1, 2010, 11:22 AM
http://www.joyoffilmediting.com/?p=3232
"We want the film look" says the client or producer. Many budget conscious filmmakers, notably students, independents, documentarians, and television networks, use low cost digital video cameras but desire the film look. We’ve all seen the scratchy, old timey film look applied after the shoot or used software to produce a supposed film look. But what exactly is the film look and what’s the best way to get it when you shoot digitally? How do you advise clients and producers?
November 30, 2010, 05:17 PM
http://blogs.creativecow.net/blog/3889/compressor-...
I have thankfully not needed to ever use compressor repair before. It has always lived in the back of my mind as one of those backup plans, like triple-a, or life insurance. At work my tower has somehow really tweaked itself and compressor was the hardest hit. This was the first sign that something was amiss. I got this error immediately after logging in.
November 30, 2010, 05:08 PM
http://blogs.creativecow.net/blog/3859/white-balan...
Discover in this video how a FBM Software White Balance user managed to match the colors of two different cameras with the help of plug-in:
November 30, 2010, 12:10 PM
http://hollywoodreinvented.com/2010/11/29/jackson-...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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