To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Videocraft: Avid Media Composer Info Night

May 10, 2016, 05:24 AM

http://www.screeneditors.com.au/videocraft-informa...

TO RSVP please email your details to: Sydney -rsvp@screeneditors.com.au Melbourne -rsvpvic@screeneditors.com.au

FuseFX adds VFX producer Chad Hudson

May 10, 2016, 05:23 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Veteran VFX producer Chad Hudson, whose credits include The Walking Dead and  Game of Thrones, has joined FuseFX (www.fusefx.com) in Los Angeles. He becomes part of a diverse production team that is creating effects for Fox’s  Sleepy Hollow and pilots for CBS and Amazon, as well as other upcoming television projects.

The Future of Creative Education

May 10, 2016, 05:23 AM

http://feedproxy.google.com/~r/richardharringtonbl...

At this year's NAB, I was invited to kickoff the conference as a guest on their live broadcast.  I had a chance to talk about changes in the world of educating creative professionals.  I shared some of my own view points about where things are going and how the changes affects students and working pros alike.  My interview starts around the 22 minute mark.

06. Basic Training Davinci Resolve 12

May 10, 2016, 05:23 AM

http://feedproxy.google.com/~r/norendercom/~3/0vzl...

Conformado En este vídeo explicamos uno de los temas que más problemas suele dar en […]

Does new tech really make last year's model obsol

May 10, 2016, 05:23 AM

http://www.redsharknews.com/technology/item/3463-d...

Should companies release new cameras every year? Or should they release cameras with longer lifespans at higher cost? camera developmentcamera designBusinessAppleiPhoneSonyRX10RX100

Ciclope Festival 2014 (2014)

May 10, 2016, 05:23 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

For the opening titles of Ciclope Festival 2014, an international conference based in Germany dedicated to the craft of the moving image, a fuchsia booty-shaking robot acts as usher, taking us through a strange and shifting cyberdelic dream.With this sequence artist and director Saiman Chow makes his title design debut, working with studio Blacklist and the sound designers at Antfood to create a world where spam windows overwhelm, deepsea landfills overflow with colour, pandas and A-frames...

The Third Floor’s Eric Carney on the evolution o

May 10, 2016, 05:22 AM

http://postperspective.com/the-third-floors-eric-c...

When people hear the word previs, they likely think of visual effects, but today’s previs goes way beyond VFX. Our industry is made up of artists who think visually, so why not get a mock-up of what a scene might look like before it’s shot, whether is includes visual effects or not. Continue reading →May 10, 2016

The Future of Live-Action VR… is Still Well in t

May 10, 2016, 05:22 AM

http://www.provideocoalition.com/future-live-actio...

VR technology is here…sorta. Storytelling, though, has taken a back seat to technology. That’s a big problem. Recently I attended the Silicon Valley Virtual Reality (SVVR) Expo at the San Jose Convention Center. While most things related to entertainment exist in places like LA and NY, my stomping grounds—the San Francisco Bay Area—are where it’s The post The Future of Live-Action VR… is Still Well in the Future appeared first on ProVideo Coalition.

Compose the Embedded Metadata

May 10, 2016, 05:22 AM

https://blogs.creativecow.net/blog/14167/compose-t...

Avid Media Composer when outputting the AAF takes the populated metadata in the "Tape" column and uses this for the "Reel Name" at the Edit Index Events in Resolve. In Resolve it is vital to always use Reel Names when migrating to Media Composer and then coming back to Resolve.

FuseFX adds VFX vet Chad Hudson in producer role

May 9, 2016, 04:20 PM

http://postperspective.com/fusefx-adds-vfx-vet-cha...

Burbank’s FuseFX, which provides shots for Fox’s Sleepy Hollow and pilots for CBS and Amazon, among other TV projects, has added veteran VFX producer Chad Hudson. Hudson comes to FuseFX from Rhythm & Hues, where he worked on a variety of television and commercial projects. Continue reading →May 9, 2016

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