It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 3, 2009, 05:05 AM
http://avidscreencast.com/2009/12/07-kill-bill-eff...
In this episode, we’ll create a high-contrast, colorized look to an image — simply because it looks cool. It’s a great way to introduce somebody with a bang. Seriously, I have no idea why I call this the Kill Bill Effect, but I still like it, and maybe so will you!
December 3, 2009, 05:05 AM
http://provideocoalition.com/index.php/editingpost...
My wife will tell you that I am a creature of habit. That definitely can be said about the breakfast cereal that I eat, and the type of video games I like to play, but it is also true of computer hardware as well. To be perfectly honest, I was an Avid purist for many years, until I had a very strict budget to work with, and I decided to purchase a Final Cut System.
December 3, 2009, 05:03 AM
http://www.evanschiff.com/bd/articles/organizing-a...
Once the craze of Production is over and a temporary period of relative relaxation (known as the Director’s Cut) begins, it becomes time to clean up any messes leftover from Production and truly get the department in order. I’ve decided to use the cleanup period I’m currently in to test drive an organizational web app called Backpack. Made by 37Signals, Backpack is like a ready-made intranet for your office. All you need to do is get people to remember to use it.
December 3, 2009, 05:02 AM
http://lfhd.net/2009/12/02/full-disclosure-rules-f...
Starting today, new rules are in effect for those of us in "new media" (blogs, twitter, etc.). Those "who write online reviews or endorse products using new media must disclose it when they receive free merchandise or payment for writing about an item."
December 3, 2009, 05:01 AM
http://lfhd.net/2009/12/02/avid-media-composer-ver...
Man...every day Avid is surprising me with something. First they are listening to the customers and implimenting changes that we want to see.
November 29, 2009, 04:41 AM
http://digitalfilms.wordpress.com/2009/11/29/11-mo...
During the years with Final Cut, I’ve accumulated a number of workflow steps to eliminate some of the "gotchas" and bottlenecks. I’ll share a few in this post and hope you find them to be helpful.
November 28, 2009, 04:37 AM
http://viewfromthecuttingroomfloor.wordpress.com/2...
In case anybody was still wondering if Avid’s recent rebranding was a good idea, I recently attended two industry events that helped prove that the company that brought us Media Composer twenty years ago is not going anywhere anytime soon.
November 27, 2009, 04:35 AM
http://lfhd.net/2009/11/27/duck-and-color/
I have been doing a few tests lately. Going from Avid to FCP to Color. Because I am REALLY enjoying cutting with Avid again (well, the one home movie I am FINALLY getting to), but I REALLY like the color correcting tools of COLOR. And I have a color correction job coming up that was edited in Avid, and I would like to figure out how to get it into Color.
November 26, 2009, 04:34 AM
http://avidscreencast.com/2009/11/06-remap-your-ke...
In this episode, I’ll show you how to remap your keyboard and give you a couple of ideas on what functions to map to it. If this does not make you at least 10% more productive, Avid Screencast will refund your money.
November 26, 2009, 04:33 AM
http://www.postmagazine.com/ME2/dirmod.asp?sid=639...
AlphaDogs is a multi-room facility that handles a lot of cable work, particularly reality programming. The studio is posting Project Runway and Models of the Runway, and recently handled color correction on a History channel special that looks at Lee Harvey Oswald assassin Jack Ruby. AlphaDogs has four Avid Symphony systems, two graphics room, two Pro Tools audio bays, an Apple Color room, three Final Cut Pro finishing rooms, and 10 rooms with a choice of FCP or Media Composer.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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