It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 6, 2016, 12:15 PM
http://www.slashfilm.com/how-movie-sound-effects-a...
If you never stop to think where any given sound comes from in a movie, then the crew member known as the Foley artist has done a good job. You probably don’t even realize just how many sound effects in movies are created in a sound studio. Sometimes it’s a sound you’ve never heard before, like a TIE Fighter while other times it’s just the sound of a couple rolling through the leaves.
May 6, 2016, 12:15 PM
http://www.awn.com/animationworld/minimalist-anima...
Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.
May 6, 2016, 09:28 AM
http://www.avidblogs.com/mixing-a-scorpions-live-s...
The article Mixing a Scorpions Live Show on a Laptop—Hans Martin Buff Explains the Process by Thomas Wendt appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 6, 2016, 09:28 AM
http://www.avidblogs.com/commit-in-pro-tools-bridg...
The article Commit in Pro Tools—Bridging the Gap from Writing to Mixing and Arranging by Connor Sexton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 6, 2016, 09:28 AM
http://lesterbanks.com/2016/05/weather-textures-au...
Wouldn't it be cool to simply move a slider in your favorite 3D app that will automatically weather your 3D model based on time? The Post In the Future, You Will Be Able To Weather Textures Algorithmically originally appeared and published on %%BLOGLINK%,by lesterbanks
May 6, 2016, 09:27 AM
http://www.redsharknews.com/post/item/3461-blp-vfx...
BLP VFX on how it clears technological hurdles and boosts creativity by using Imagineer Systems' mocha Pro on CSI: Cyber. BLPVFXCSI CyberSponsored ArticleImagineer Systems
May 6, 2016, 09:27 AM
http://www.jamuura.com/blog/how-sound-design-defin...
Francis Ford Coppola's The Godfather is a film which we love and revere for various reasons. Be it Coppola's assured direction, the gripping screenplay which does a fantastic adaptation of Mario Puzo's novel, Marlon Brando and Al Pacino's performances, Gordon Willis' cinematography or Walter Murch's editing, the film is an accomplishment on various levels and there's a lot filmmakers can learn from it.
May 6, 2016, 04:46 AM
http://editstock.com/blogs/all/117061061-can-i-use...
I love getting asked the question, "can I use EditStock footage on my demo reel?" because my answer is yes - in fact, you should! This aspect of EditStock's license agreement with its contributors is one of the proudest contributions that my business has been able to make for editors at all stages of their careers. The first and most obvious place its had an impact is for new editors. EditStock is solving the age old chicken and egg problem of needing a reel to get a job and need...
May 6, 2016, 04:46 AM
http://saeditores.org/Novedades/Raidos-por-Diego-M...
Diego Marcone, director y co-editor de Raídos junto a Andrea Kleinman (SAE - EDA) comparten su experiencia sobre la edición de la película ganadora del Premio al Mejor Montaje de Película de la Competencia Oficial Argentina del 18° BAFICI, otorgado por SAE y EDA.
May 6, 2016, 04:44 AM
http://www.artofvfx.com/high-rise-vfx-reel-by-milk...
Milk Visual Effects presents their VFX work on HIGH-RISE (click on the picture below to watch it)...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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