It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 15, 2009, 04:02 AM
http://www.scottsimmons.tv/blog/2009/11/15/thanksg...
Scott Simmons Thanksgiving Linkage. Check out this months list of film editing links to check out.
November 13, 2009, 03:58 AM
http://www.videoguys.com/Blog/E/Dianas+Top+10+Fina...
You know those little post-it note pads that come in multiple colors? Ok, admit it now. Do you ever color-code your notes? Maybe yellow notes are financial, pink ones are hot to-do items. Well with Final Cut Pro 7, you can now use color to label your markers in a very similar way. There are several other marker improvements as well.
November 13, 2009, 03:57 AM
http://avidscreencast.com/2009/11/04-changing-fiel...
In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of the Matte Key real-time effect. Buckle up, this one’s going to get geeky! And don’t forget to check out the show notes for more.
November 10, 2009, 03:51 AM
http://prolost.com/blog/2009/11/10/vegas-has-mojo....
If you’re hanging out with a bunch of editors and you want to play a mean trick on a friend, just find the one guy in the room who uses Sony Vegas (there will be one guy, and only one) and tell that guy that your friend, yeah, the one over there at the bar, he’s super curious about Vegas and would love to hear all about it.
November 9, 2009, 03:49 AM
http://www.macvideo.tv/editing/features/index.cfm?...
In the 1970's video editing was primitive and film production ruled the scene. Several film editing manufacturers produced editing tables. In Europe, king of the roost was Steenbeck. The company offered a flatbed editing table with excellent image display, and various models with up to 6 or 8 plates available, so that one could load up separate film reels and separate sprocketed mag striped tape to quickly access content and build a production.
November 9, 2009, 03:49 AM
http://www.macvideo.tv/editing/interviews/index.cf...
In 1987 AVID technology began life as a company and in the years that followed the entire workflow for editing film was to be changed forever. A core team of people were involved in the development of the AVID, from the initial idea by Bill Warner, to the technical creation of a system which still rules Hollywood today. Tom Ohanian was part of the AVID founding team, those who brought the Media Composer, the Film Composer and Avid Multicamera Systems into being.
November 7, 2009, 03:47 AM
http://provideocoalition.com/index.php/ssimmons/st...
Scott Simmons latest blog covers the Magic Mouse: I’m on a constant search for the ultimate input device for editing. Look at my editing desk on any given day and there may be some mad combination of an Apple Mighty Mouse, a Kensington Expert Mouse.
November 6, 2009, 03:45 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
The NY Post/Production Conference is proving to be an annual event that East Coast-based editors find appealing and relatively painless-- four days of casual, though nonstop, classes devoted to the latest in Adobe, Apple and Avid professional content creation tools. Organized and staffed by Future Media Concepts (FMC) (www.fmctraining.com), the intensive sessions were held October 5-8 at The Doubletree Times Square. Produced in association with the National Association of Broadcasters (NAB)...
November 6, 2009, 03:45 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
The HD World Conference, held October 14-15 at New York's Jacob Javits Center, has become a sort of do it all conference, an NAB for East Coasters who can't make the annual trek to Vegas. Sections of the hall were devoted to satellite and IP-based media, with a third of the space covering the more familiar territory of gear and software production and post, with additional emphasis on encoding, compression, audio issues, network infrastructure, digital asset management and more.
November 6, 2009, 03:43 AM
http://bourkepr.typepad.com/my_weblog/2009/11/this...
The Lower Third Blog is starting a new weekly feature this week, aptly named, This Week in Post Production. It aims to highlight some of the important, interesting news highlights in our industry.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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