It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 22, 2016, 05:47 AM
https://library.creativecow.net/austin_charlie/fcp...
Creative COW stalwart, FCPX whiz, and longtime trailer editing expert Charlie Austin recently joined the folks at FCPWORKS and their FCP EXCHANGE workshop series for a deep dive into managing this particularly intensive form of editing with the newest Apple editing offering. Charlie comes at it with both a wit and precision that you won't want to miss.
March 22, 2016, 05:47 AM
http://99u.com/articles/53605/5-things-no-one-tell...
As a freelancer, you’ve been growing your personal brand, stretching your skillset, and shipping projects. But something is off. You’re wondering where you’re going next. Or how you’re going to continue to work alone. Or maybe you’ve read about the unbelievable perks of startups, like floating rooms for daily naps or fountains of green juice. So you’ve decided that freelance life is no longer for you. Healthcare, being part of a team, and a desire to start wearing real pants again ha...
March 21, 2016, 04:34 PM
http://www.digitalproductionbuzz.com/2016/03/digit...
On the Digital Production Buzz, Larry Jordan talks with guests Kevin Bourke and Rick Barrett. The Media Industry From a PR Perspective The Media Industry From an Artist's Perspective WATCH FULL SHOW The post Digital Production Buzz – March 24, 2016 appeared first on Digital Production BuZZ.
March 21, 2016, 04:33 PM
http://www.studiodaily.com/2016/03/review-hp-zbook...
Choosing a workstation-class notebook computer used to be easy. To get anything approaching desktop performance, you would bite the bullet and accept whatever was available — even if it weighed more than 10 pounds, offered a limited color gamut, and … more » The post Review: HP ZBook Studio G3 appeared first on Studio Daily.
March 21, 2016, 01:28 PM
http://www.videoguys.com/blog/hp-announces-thunder...
HP has confirmed that they now support Thunderbolt™ connections and products on their workstations running Windows 10. If you are currently using or wish to use Thunderbolt™ connected devices (like the Avid Artist | DNxIO) on HP systems, you now have the option of upgrading to Windows 10. You can download the driver from HP’s website: Read More The post HP Announces Thunderbolt™ Support on Windows 10 appeared first on Videoguys Blog.
March 21, 2016, 10:26 AM
http://www.premiumbeat.com/blog/reality-vs-cinemat...
Cinematic reality describes a world that is grounded in reality, but exaggerates details to make for a more exciting movie. To learn more, ENHANCE this article by 150%.
March 21, 2016, 10:26 AM
http://renderplease.com/post/141435065670
To my boss I’m like:
March 21, 2016, 10:25 AM
http://manhattaneditworkshop.blogspot.com/2016/03/...
Why film editor Jim Clark was Hollywood's greatest repairman: He completely recut Midnight Cowboy, won an Oscar for The Killing Fields and worked on James Bond. [The Guardian]Visualize un-shot sequences with Martini, a storyboarding plug-in for Media Composer: Martini is designed to help you fill in missing shots in your projects so you can better visualize what you have to shoot next. [Avid]An interview with editor and Avid-certified trainer Christian Jhonson of Ecuador's Teleamazonas [P...
March 21, 2016, 10:25 AM
http://filmmakermagazine.com/97780-joel-and-ethan-...
“I think it’s absurd to say there isn’t a difference” between shooting on film and on digital, says Joel Coen in this short interview found on Adobe Create and filmed in the cutting room of the Coen Brothers’ latest, Hail, Caesar! Coen goes on to say that he hopes for a kind of format-neutral future, where choices of all sorts can be made on purely artistic grounds. That said, neither filmmaker is naive, and they realize that digital technology provides the new standards.
March 21, 2016, 10:25 AM
http://24p.com/wordpress/?p=289
Back in Media Composer v8.2, I was testing some metadata workflows and discovered quite by accident that values in the “Comments” column appeared in EDLs when “Comments” was checked as an option. Since the original Avid/1 Media Composer, EDL comments were restricted to the comments added to any one segment in the timeline.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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