To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making sports graphics easy

April 25, 2016, 12:19 PM

http://www.redsharknews.com/distribution/item/3437...

Alongside a brace of other products to make sports production, and live streaming in particular, more economic and flexible, Streamstar also introduced new sports graphics software at NAB. StreamstarStreamstar ScorePlusLive productionSports productionGraphicsbroadcast graphics

Larry Jordan's Thoughts On NAB 2016

April 25, 2016, 12:18 PM

http://news.doddleme.com/blogs/post-production/lar...

NAB is always an exciting show – filled with new things to discover, explore or learn. While NAB can mark the start of a new industry revolution, this year’s show felt more evolutionary than revolutionary. Still, there was lots to see and much to think about.

Technicolor Supports Comcast Gigabit Internet Serv

April 25, 2016, 12:18 PM

http://www.technicolor.com/en/who-we-are/press-new...

Paris (France), 25 April 2016 – Technicolor (Euronext Paris: TCH; OTCQX: TCLRY) is supporting Comcast’s recently announced launch of advanced consumer trial of DOCSIS 3.1-powered gigabit Internet service in Atlanta, with plans to expand gigabit service to additional markets later this year. Technicolor will provide a DOCSIS 3.1-powered, gigabit modem that Comcast will use in some of its early deployments.

Enhance Your Production with Advanced Audio Capabi

April 25, 2016, 09:10 AM

http://www.avidblogs.com/enhance-your-production-w...

The article Enhance Your Production with Advanced Audio Capabilities—Get iZotope audio plug-ins free with Media Composer by Rob D'Amico appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

NAB2016 video: Bob Russo presents Avid Nexis

April 25, 2016, 09:10 AM

http://www.videoguys.com/blog/nab2016-video-bob-ru...

Bob Russo, Principal Product Designer from Avid, gives an overview of Avid’s new shared storage solution Nexis. Avid describes Nexis as the world’s first software-based storage platform for media. The storage solution provides dynamic virtualization with adaptable security options tailored to media cooperation for faster and more efficient production workflows. In the video explains responsible Read More The post NAB2016 video: Bob Russo presents Avid Nexis appeared first on Videoguys Blog.

iZotope Explains How Pros Can Meet Loudness Standa

April 25, 2016, 09:09 AM

http://www.videoguys.com/blog/izotope-explains-pro...

From iZotope’s Tips & Tutorials Audio/multimedia producer Matt Hines of iZotope explains how pros can meet today’s loudness standards to deliver consistent viewing experiences throughout the world, with the help of tools like RX Loudness Control. The post iZotope Explains How Pros Can Meet Loudness Standards appeared first on Videoguys Blog.

Weekend Post-Production News Round-Up

April 25, 2016, 09:09 AM

http://manhattaneditworkshop.blogspot.com/2016/04/...

AJA Launches U-TAP USB 3.0 Capture Devices [Video Guys]Working With the Motion Graphics Toolkit in Maya [Lester Banks]Are You Ready for HDR? [Definition Magazine]Kurt Baxter, ACE on editing "Gone Girl" for David Fincher [Pro Video Coalition]The Art of the Score with Oscar-winning composer Elliot Goldenthal [Blog Talk Radio]Lee Smith, ACE on editing "Interstellar" [Pro Video Coalition]Supervising Sound Editor Martin Hernandez on Crafting the Sound Behind "The Revenant" [AVID Blogs]

DaVinci Resolve 12.5 now in public beta

April 25, 2016, 09:09 AM

http://www.redsharknews.com/post/item/3436-davinci...

We mentioned this in passing during last week’s coverage of NAB 2016, but there is so much going on with the latest point release beta of DaVinci Resolve it’s worth diving into it all in a bit more detail. BlackmagicBlackmagic DesignsDavinci ResolveDaVinci Resolve 125Fusion

Quick Tip – 8 Note Click Track

April 25, 2016, 09:08 AM

http://reaperblog.net/2016/04/quick-tip-8-note-cli...

I often get asked about a double-time metronome and in the past I’ve suggested setting the project timebase for items to Time, then doubling the tempo.

Cameras take a back seat at NAB 2016

April 25, 2016, 04:29 AM

http://www.redsharknews.com/production/item/3430-c...

With a dearth of new camera announcements at this NAB, some pundits have been underwhelmed with the show. But, dig a little deeper and you'll likely find news and products that are meaningful to film professionals. NAB ShowNAB 2016CamerasBlackmagicUrsa MiniREDSonypanasonicVirtual RealityHDRHigh Dynamic Range

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