It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2016, 01:35 PM
http://postperspective.com/tangent-makes-updates-t...
At IBC this past September, Tangent showed working prototypes of its Ripple panel — a new entry level offering designed for the occasional colorist, editor and student — and came away with a few suggestions that they incorporated into the final product. Ripple features three tracker balls that speed up primary grading. It is lightweight and offers a footprint small enough to sit beside your keyboard and mouse without getting in the way. Here are the recent changes that Tangent made to ...
February 10, 2016, 10:32 AM
https://www.cinema5d.com/midigrade-controller-davi...
The innovative new MIDIGrade Controller is the latest answer to the need for an affordable hands-on grading controller. It is a solution created by 25-year-old award-winning filmmaker Julius Koivistoinen from Helsinki, Finland. Currently, it is only available for Resolve on OSX.
February 9, 2016, 10:21 AM
http://jonnyelwyn.co.uk/film-and-video-editing/col...
Add some polish to your project with a better colour grade in your NLE of choice with the help of this round up of tutorials for Premiere Pro, FCPX, and Avid Media Composer.
#final cut pro x#premiere pro#avid media composer#colour grading#editors tools#color finaleFebruary 5, 2016, 06:12 AM
http://directedbychuckjones.tumblr.com/post/138699...
Background layouts by Maurice Noble for “Dr. Seuss’ Horton Hears a Who!”, a half-hour animated television special directed by Chuck Jones, 1970. They are colored pencil and graphite on 12 field animation paper. Maurice Noble received co-director credit for this film.
February 5, 2016, 06:12 AM
http://cinescopophilia.com/that-bertlut-arrilook-7...
Bert Degraeve came up with two excellent LUTs (Standard and FilmLike) for the Sony FS7 which attempts to emulate the Arri color space. While the FS7 might not be an Alexa, it’s a pretty great camera for the price and Burt’s LUTs really elevated the color game for the FS7. A poor man's Alexa.
January 29, 2016, 02:27 PM
http://www.bfi.org.uk/news-opinion/news-bfi/lists/...
Do you know your Technicolor from your Kodachrome? The science of colour in film, which will be explored in a second annual event at BFI Southbank in March, has brought us many innovative systems over the past 120 years. Here’s an expert’s guide to 10 of the best.
January 29, 2016, 02:26 PM
https://www.productionhub.com/blog/post/colorist-f...
There are many iconic songs and sounds that have shaped the world of 20-century pop,where Michael Jackson is certainly no stranger. From his signature falsetto to his soulful lyrics and funky beats, the King of Pop influenced us all to "Don't Stop 'Til You Get Enough."
January 28, 2016, 06:03 AM
http://cinescopophilia.com/grab-80-iwltbap-luts-an...
Along with the free LUTs Benjamin is also offering the IWLTBAP LUT pack with 80 fresh LUTs. The IWLTBAP LUT pack offers some original looks that have been created especially for the pack. Or they have come from video projects Benjamin has worked on in the past.
January 27, 2016, 05:18 PM
https://www.cinema5d.com/davinci-resolve-nodes-tip...
Once you know the different types of DaVinci Resolve nodes, and how they function individually and together, you’ll be able to construct any grade you can envision.
January 27, 2016, 10:24 AM
http://www.premiumbeat.com/blog/color-correcting-a...
The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post to get the footage looking just right. Here's how you can get great results.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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