It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 3, 2015, 02:06 PM
https://blogs.creativecow.net/blog/13908/source-id...
Currently testing v8.4.1 notes of metadata bin control when the Avid might be overriding it because it assigned the lead to a master clip that you would prefer did not have the metadata lead.
November 3, 2015, 02:05 PM
http://blogs.indiewire.com/theplaylist/the-50-best...
James Bond is back on the big screen this week with Sam Mendes’ “Spectre” (read our review here), and along with the return of Daniel Craig, spectacular action and casual sexism, that means we get a lavish credits sequence. An immaculately designed opening, usually paired with a specially scored theme song, has been a staple of the Bond franchise since the early days, and continues with the octopus-tastic take in the new film.
November 3, 2015, 10:34 AM
http://www.provideocoalition.com/magic-leap-a-futu...
November 3, 2015, 10:34 AM
https://fxfactory.com/blog/final-cut-pro/alex4d-an...
Alex4D Animation Transitions is a pack of Final Cut Pro X transitions you can use to easily animate graphics, text and clips onto and off the screen.
November 3, 2015, 10:34 AM
http://www.videoguys.com/blog/video-editing/introd...
The folks over at Red Giant have been very busy this summer and they have just released an all new Red Giant Trapcode Suite that includes a brand new plug-in called TAO. TAO allows you to generate really cool animated motion graphics using something they call procedural 3D geometries. You can understand this much easier by watching Read More The post Introducing Red Giant Trapcode TAO and Trapcode Suite 13 appeared first on Videoguys Blog.
November 3, 2015, 10:34 AM
http://www.fcp.co/final-cut-pro/articles/1747-alex...
After three years of constant prodding from us here at FCP.co, Alex Gollner has finally launched his first pack of commercial plugins for FCPX. Packed full with 120 different effects, he's been busy!
November 3, 2015, 10:33 AM
http://filmmakermagazine.com/96285-more-women-less...
Over the past few months I’ve been spending more time than normal at the gym, getting up at 5:30 AM and arriving there by 7:00 for yoga or a cardio/weights/TCM combo before heading to my job for the day. When I made the decision to kick it up a notch from my usual two days a week, my reasons were probably a New York City cocktail of anxiety, sublimation, and restlessness from having a day job that keeps me at a desk.
November 3, 2015, 05:45 AM
http://www.redsharknews.com/post/item/3014-the-dra...
Roland Denning profiles the way that technology has changed the editing process from the times when machines like the tape splicer above were cutting edge. Editingfilm editingTape splicerOfflineAdobe PremiereFinal CutQuantelLightworksAvid
November 3, 2015, 05:44 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The predominant trend in conference opening titles is to instill excitement and energy, to prepare audiences to be blown away by the creativity and brilliance of presenters. The opening titles to CAMP Festival 2015, on the other hand, are a deep breath put to video. Studio Dialog’s relaxed approach to the task at hand takes inspiration to a quiet place, open and full of possibility. Unrestrained. Warm. Welcoming.There’s a sense of luxury in this hike through the foothills of the Canadian...
November 3, 2015, 05:44 AM
http://www.bfs-filmeditor.de/aktuell/meldungen/mel...
Montage muss dem Zuschauer Zusammenhänge so nahebringen, dass er sie weiterdenken kann
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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