It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 29, 2015, 01:24 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tip...
A round up of tips for better editing in Premiere Pro CC 2015, plus the best of Adobe Max and the new features coming in the next release, plus Walter Murch on working with Adobe...
#editing#premiere proOctober 28, 2015, 12:25 PM
http://www.studiodaily.com/2015/10/editor-jake-rob...
Following a Sundance premiere that garnered early praise for performances by Saoirse Ronan and Emory Cohen, and then a fall festival run that started building Oscar buzz, the period romantic drama Brooklyn is ready to vie for awards and eyeballs in a … more » The post Editor Jake Roberts on Brooklyn appeared first on Studio Daily.
October 28, 2015, 12:24 PM
https://www.rocketstock.com/blog/using-the-index-e...
Quickly create complex layer arrays in After Effects with the index expression. Instead of wasting time tweaking the properties of individual duplicate layers, you can completely automate each new layer to change using this expression.
October 28, 2015, 10:00 AM
http://www.btlnews.com/news/the-colonie-editor-bri...
Chicago-based post house The Colonie recently teamed up with 71 Degrees North to provide editorial, finishing and design services for Happy Hour, a short film written, directed and co-produced by Martin Rodahl. The film, which premiered at the Little Rock Film Festival, is the most recent of a diverse mix of commercials, documentaries and films that editor Brian Sepanik has collaborated on with Rodahl and his production company over the years. The post The Colonie Editor Brian Sepanik Cuts ...
October 28, 2015, 10:00 AM
http://renderplease.com/post/132087980375
I’m like:
October 28, 2015, 10:00 AM
http://www.videoguys.com/blog/video-editing/newblu...
In this article our good friend Kevin P. McAuliffe talks about the differences between the latest version of NewBlueFX Titler Pro 4 and the older versions that come bundles with the various flavors of Avid Media Composer. Titler Pro has come a long way and the features and performance of Titler Pro 4 will blow Read More The post NewBlueFX Titler Pro 4 is the titling tool Avid Editors have been waiting for appeared first on Videoguys Blog.
October 28, 2015, 09:59 AM
http://www.geniusdv.com/news_and_tutorials/2015/10...
Learn how to use the new 'Draw Mask' feature within Final Cut Pro X. Key fundamentals in this lesson include:
October 28, 2015, 09:58 AM
http://www.watchindie.net/2015/10/27/why-a-directo...
I was asked why a director shouldn’t edit his/her own films today… again. I get a lot of blow-back from my usual answer, but I’m steadfast in my belief that a director should never edit their own film. I know; never is a strong word. And there are exceptions, and those outliers are part and parcel for the argument for editing your own work. But all of us can’t be the Cohen brothers – I’m certainly not.
October 28, 2015, 05:10 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Out by sixteen or dead on the scene, but together forever.” — Ginger ...
October 27, 2015, 04:17 PM
http://www.provideocoalition.com/after-effects-hid...
When Apple first released Motion, it introduced a new animation paradigm: instead of having to keyframe the start and stop values for every movement, you could apply Behaviors when you could just say “move in that direction at this speed” as well as apply other pre-coded animation instructions. The After Effects team was anxious to show that the same result could be accomplished using their Expressions (another supplement to or replacement for ordinary keyframes), and contracted us to d...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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