It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 27, 2016, 02:21 PM
http://lesterbanks.com/2016/02/using-mayas-closest...
SoukiZERO shows how to use the closest point node for an easy animation controller setup. The Post Using Maya’s Closest Point Node for Animation Controls originally appeared and published on %%BLOGLINK%,by lesterbanks
February 27, 2016, 08:15 AM
http://lesterbanks.com/2016/02/volumetric-renderin...
Broadcast Designer Ata Albehany shares his experiences and tips for working with volumetric rendering in Octane. The Post Working With Volumetric Rendering With Octane in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
February 26, 2016, 06:51 AM
http://andreasdeja.blogspot.ca/2016/02/hollywood-a...
Charles Solomon's article on the state of animated films at the end of 1990 had just been published in MODERN MATURITY magazine. I was flattered beyond belief to be included in the cover with Marc. I remember the photo shoot like it was yesterday. Feature animation at that time was still in Glendale on Flower Street. Marc and I were led into a specially darkened room with a red light washing the back wall. There was a spotlight aimed at a Mickey Mouse drawing I had prepared.
February 23, 2016, 01:34 PM
http://lesterbanks.com/2016/02/recreating-c4ds-pla...
Recreate Cinema 4D's MoGraph Plain and Falloff Effectors in Side Effects Houdini. The Post Recreating C4D’s Plain and Falloff Effectors in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks
February 23, 2016, 06:42 AM
http://www.animationmagazine.net/people/ves-names-...
The Visual Effects Society (VES) has announced the 2016 officers for its Board of Directors. The officers, who comprise the VES Board Executive Committee, were elected at the January 2016 Board meeting.
February 22, 2016, 05:06 PM
http://www.awn.com/news/bfi-ace-step-support-uk-an...
The BFI and Arts Council England respond to lobbying from Animation Alliance UK with a commitment to take action; BFI to consider its on-going support for animation as part of its new five-year plan.
February 22, 2016, 05:38 AM
http://www.cgmeetup.net/home/ocio-lut-color-manage...
In this tutorial from MAXDEPTH we will be discussing OCIO and LUT Color Profiles, and how to use the Vray Frame Buffer to streamline your color management across multiple applications and departments.
February 21, 2016, 07:38 AM
http://www.rotoscopers.com/2016/02/21/the-rotoscop...
Exactly one week from today, on Sunday February 28th, the 2016 Academy Awards will air on ABC. In preparation for the big show next week, this week the Rotoscopers will be celebrating the nominated animated shorts on the site with a series of reviews.
February 20, 2016, 09:03 AM
http://www.hollywoodreporter.com/lists/oscars-5-an...
Joy's ('Inside Out') hair is blue and Marnie's ('When Marnie Was There') a mysterious blonde, but none of that's by chance.
February 19, 2016, 10:19 AM
http://lesterbanks.com/2016/02/refining-camera-ani...
Master camera moves in Cinema 4D by better understanding the graph. The Post Refining Camera Animation in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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