To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Tech Talk S6E1 Media Composer: Triumph When Troubl

February 1, 2016, 02:09 PM

http://www.youtube.com/watch?v=KGxHlc5TiG8

Media Composer: Triumph When Troubleshooting January 27, 2016 Presented by: Daniel Huber Creativity is flowing, the deadline is looming, and the pressure is mounting. The last thing you want is a technical glitch to interrupt your work. Whether you’re faced with file corruption, a playback issue, or something entirely different, you need to find the root cause and fix it, fast. Let Media Composer expert Daniel Huber share his “Divide and Conquer” troubleshooting techniques and lea...

ABU DHABI SPORTS TV IDENTS EDITED IN PREMIERE PRO

February 1, 2016, 11:00 AM

http://www.premierebro.com/blog/jimmy-falinski-edi...

Working with 4K footage shot at 1000 frames per second demands a powerful and flexible editing system, which is why editor Jimmy Falinski edits in Adobe Premiere Pro CC.

#premiere pro#tv#interview#commercial#sports
Avid Pro Tools Continues to Deliver for MPG Nomine

February 1, 2016, 10:45 AM

http://www.avidblogs.com/avid-pro-tools-continues-...

The article Avid Pro Tools Continues to Deliver for MPG Nominee Cenzo Townshend’s Decoy Studios by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

ACE presents Eddie Awards for editing excellence

February 1, 2016, 10:44 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BEVERLY HILLS — Mad Max: Fury Road (edited by Margaret Sixel) and  The Big Short (edited by Hank Corwin, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 66th Annual ACE Eddie Awards. Trophies were handed out recently recognizing the best editing of 2015 in 10 categories of film, television and documentaries. The black-tie ceremony was held in the International Ballroom of the Beverly Hilton Hotel, with over 1,000 in attendance to...

New version of Media Composer supports HDR

February 1, 2016, 10:44 AM

http://postperspective.com/new-version-media-compo...

Avid’s latest version of its Avid Media Composer editing system offers support for high dynamic range (HDR) workflows, so users can now edit and grade projects using new color specs that display a greater dynamic range than standard video. The new version also features a more intuitive interface, making the tool more friendly to those editors who also work on Premiere Pro or Final Cut. With what the company calls “better-organized tools,” the Media Composer’s tools and interface ele...

It’s Back! EDIUS Jump Upgrade

February 1, 2016, 10:44 AM

http://www.videoguys.com/blog/its-back-edius-jump-...

It’s Back! EDIUS Jump Upgrade Promotion from any version of EDIUS Software   EDIUS Pro Jump Upgrade from Any EDIUS Version $349.00   The EDIUS Jump Promotion will be from February 1st until April 30th, 2016 any EDIUS Neo user (versions 1 to 3.5) or EDIUS Pro user (versions 2 to 6.5) can upgrade to EDIUS Read More The post It’s Back! EDIUS Jump Upgrade appeared first on Videoguys Blog.

Outing Sergei Eisenstein

February 1, 2016, 10:43 AM

https://www.fandor.com/keyframe/outing-sergei-eise...

“My first idea,” Peter Greenaway said, “was to make a documentary about what happened with the non-edit of this film, which was so close to his heart and mind and which forever afterwards he always regretted not finishing. So I went down to Mexico and Guanajuato and was fascinated by its ‘Museum of the Dead.’ Then I began writing dialogue—which is a completely un-documentary activity. There is a deliberate free-association, shall we say, of fact and fiction. There’s no such thing a...

Editing Star Wars: The Force Awakens

February 1, 2016, 10:41 AM

http://www.aotg.com/index.php?page=the_force_awake...

Gordon sits down with Mary-Jo Markey and Maryann Brandon to discuss the editing of Star Wars: The Force Awakens.

ACE Awards its Eddies for best editing

February 1, 2016, 06:39 AM

http://postperspective.com/ace-awards-eddies-best-...

Friday evening in Beverly Hills, some of the top editors in the business gathered for the 66th Annual ACE Eddie Awards, which recognize the best editing of 2015 in film, television and documentaries. The night’s host was actor Adam Devine. Mad Max: Fury Road, which was edited by Margaret Sixel, won Best Edited Feature (Dramatic) and The Big Short, cut by edited by Hank Corwin, ACE, won Best Edited Feature Film (Comedy). Inside Out, edited by Kevin Nolting, ACE, won Best Edited Animated Fe...

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