It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 24, 2010, 03:02 PM
http://www.artoftheguillotine.com/assocvideo.php
Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 2 of 12. Topics covered in this part include: Quicktime, AVI, Gamma, Prores, DNxHD, Uncompressed, P2, XDCAM EX, RED. Chris Reynolds is an editor at ActiveMotion. This event was held on 13 May 2009.
September 24, 2010, 03:00 PM
http://www.studiodaily.com/main/news/12580.html
Boston, MA – September 22, 2010 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, announced that FxFactory development partner SUGARfx has released a brand new collection of video editing tools and plug-ins in the form of LensPack; lens effects with a twist. FxFactory powered plug-ins are designed by Noise Industries and their development partners to extend the visual effects capabilities of Adobe After Effects, Apple Final Cut Pro, Apple...
September 24, 2010, 02:59 PM
http://www.studiodaily.com/main/news/12584.html
September 24, 2010, 02:38 PM
http://digitalcontentproducer.com/videoedsys/revfe...
It would seem that Liz Bronstein never sleeps. As executive producer of Animal Planet's Whale Wars, Bronstein oversees the creation of the dramatic documentary series, which is set in the remote Southern Ocean off the coast of Antarctica. It is there that the small fleet of the Sea Shepherd Conservation Society, an anti-whaling activist group, actively attempts to thwart the efforts of Japanese whaling vessels. Violent storms, equipment breakdowns, and fierce clashes between boats are the norm.
September 24, 2010, 09:54 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
On Sunday, September 12, the Editors Guild hosted a family picnic at Calamigos Ranch, next to the Los Angeles Equestrian Center in Burbank. Serena Kung, the Guild’s Director of Membership Services organized the event. All told, there were just under 500 guests taking in the All-You-Can-Eat Barbeque and the family-friendly games.
September 23, 2010, 04:58 PM
http://ronsussmanedits.blogspot.com/2010/09/we-are...
Despite my pension for bitching about our business, which I will admit I tend to do a bit too much, I feel so fortunate that I am able to make a living doing something I enjoy. I am 50 years old and my passion for filmmaking hasn't subsided and has actually increased since I started freelancing a few years ago.
September 23, 2010, 03:20 PM
http://ronsussmanedits.blogspot.com/2010/09/it-nee...
Occasionally, in the 20+ years that I have been a editor a client has presented storyboards with a budget that was far too low to effectively execute within their budgetary limitations. I would wonder were is the person at the agency telling the client that "these lofty and ambitious goals can not be done within their budget and here is an idea that will work with the money you have".
September 23, 2010, 12:37 PM
http://avidscreencast.com/2010/09/40-secondary-col...
So you want to change the skin tones in a shot by doing a secondary color correction. You’re using the methods outlined in ASC #16 (and of course, they work incredibly well!), but there’s that nasty balloon in the shot that has a skin-tone-like color but that you don’t want to affect. What you need now, my friend, is a garbage matte. A garbage matte restricts the key to applying only to a specific section of the image.
September 23, 2010, 10:03 AM
http://digitalfilms.wordpress.com/2010/09/22/confi...
Nearly any modern laptop or desktop computer has enough horsepower to run the leading graphics, editing or encoding applications. The right choice depends on your need for expandability, inter-connectivity and/or performance with specific formats.
September 23, 2010, 10:01 AM
http://digitalcontentproducer.com/desktoppost/dept...
John Coen, founder of SFedit, has spent the last 12 years transforming his facility into what it is today: the full-service production studio that high-profile clients, from major networks to global corporations, trust to deliver cutting-edge quality to any project.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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