To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
How To Spot Reality TV Editing Tricks
July 22, 2010, 10:55 AM
http://www.videojug.com/film/how-to-spot-reality-t...
Brought to our attention by Manhattan Edit Workshop (http://www.mewshop.com) a hilarious look at editing reality TV Programs.
One Bite at a Time
July 22, 2010, 10:53 AM
http://digitalfilms.wordpress.com/2010/07/22/one-b...
Anytime you start a complex, long-form project – whether it’s a feature film, documentary, TV show or corporate video – it can seem very overwhelming. With 30, 40, 80, over 100 hours of footage and more – where do you start? The answer is to start at the beginning. Like the response to the old question, "How do you eat an elephant?" – it is best handled "one bite at a time."
Editing technique and the influence of Technology
July 21, 2010, 04:37 PM
http://www.oscars.org/video/watch/ev_editing_02_di...
Film editors Walter Murch, Donn Cambern, Mark Goldblatt, Anne Coates, Kate Amend, Lois Freeman-Fox and Kevin Nolting discuss editing technique and the influence of digital technology.
Perspectives on Editing: Animation and Documentary
July 21, 2010, 04:36 PM
http://www.oscars.org/video/watch/ev_editing_01_an...
Film editors Kevin Nolting, John Carnochan, Joe Bini, Nancy Frazen, Kate Amend, Bill Cartright, Lois Freeman-Fox and Brian Johnson discuss the differences in editing for animated films and live action films.
Perspectives on Editing: Advice for apprentices
July 21, 2010, 04:35 PM
http://www.oscars.org/video/watch/ev_editing_03_ap...
Film editors Anne Coates, Donn Cambern, Walter Murch, Lois Freeman-Fox, Nancy Frazen, Mark Goldblatt, John Carnochan and Kent Beyda describe the qualities they look in apprentice editors.
Perspectives on Editing: Anne Coates
July 21, 2010, 04:34 PM
http://www.oscars.org/video/watch/ev_editing_04_co...
Oscar-winning film editor Anne Coates ("Lawrence of Arabia") shares her perspective on editing.
Progressive Footage in FCP
July 21, 2010, 03:13 PM
http://uniquedesigners.wordpress.com/2010/07/08/pr...
i noticed an curiosity in FinalCutPro when it comes to Progressive Footage
After Effects and Motion Share and Compare
July 21, 2010, 12:30 PM
http://provideocoalition.com/index.php/smartin/sto...
On this week’s MacBreak Studio, I host Steve Taylor - an LA-based motion graphics designer who’s tool of choice is After Effects. I thought it would be fun and interesting to compare how After Effects and Motion handle different motion graphics tasks and so this is the first of a series of "share and compare"...
The Future of 3D at the SMPTE Stereo Conference
July 20, 2010, 05:26 PM
http://www.studiodaily.com/blog/?p=3641
Presentations at SMPTE’s first-ever conference focused exclusively on stereo 3D, held in New York last week, ran the gamut, dealing with everything from camera rigs for stereo acquisition to the effects of video compression and the challenges of transmitting a finished 3D signal. Last week, I ran down the basic content of presentations by Panasonic, which described its new 3D camcorder, and Sony, which outlined a potential suite of post-production tools that may one day address all the...
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