To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Create End Credits in After Effects, Premiere, and

January 22, 2016, 01:33 PM

https://www.rocketstock.com/blog/create-end-credit...

Creating end credits doesn’t have to be a tedious process. If you’ve ever created a rolling title that features more than 30 people, you know that organization is key.

Week in Premiere 1/22/16

January 22, 2016, 01:01 PM

http://www.premierebro.com/weekinpr/week-in-premie...

Premiere Pro Week in Review: Premiere Pro at Sundance 2016 • Animate a Bouncing Ball in Premiere Pro • Faster Encoding with Previews • Premiere Pro Shortcut Tips

#premiere pro#tutorials#news#review#week
Premiere Pro at Sundance 2016

January 22, 2016, 09:09 AM

http://www.premierebro.com/premiere-in-post/premie...

Premiere Pro stories from Sundance 2016. See how the Adobe Creative Cloud video tools are changing the filmmaking industry, as seen in these Sundance 2016 films and discussion panels.

How I learned to stop worrying and love Final Cut

January 22, 2016, 06:19 AM

http://www.fcp.co/final-cut-pro/articles/1764-how-...

We are back with a great user story. David Tillman describes his journey from being put off by FCPX from the initial scare stories to how he embraced Apple's new generation NLE cutting two high profile documentaries. A great read, we think his story will echo a lot of other editor's experiences.

2016 CCE Canadian Screen Award Nominees

January 22, 2016, 06:19 AM

http://www.cceditors.ca/2016-cce-canadian-screen-a...

Congratulations to everyone who is nominated for the 2016 Canadian Screen Awards.  We would like to give a special congratulations to our Canadian Cinema Editors who received nominations. Best Picture Editing in a Comedy Program or Series James Bredin, CCE  – Schitt’s Creek: Surprise Party, CBC (CBC) Paul Winestock, CCE  – Young Drunk Punk: The Clash is […]

Canadian Film Centre: Editor’s Lab – Call for

January 22, 2016, 06:19 AM

http://www.cceditors.ca/canadian-film-centre-edito...

CFC Cineplex Entertainment Film Program: Directors’ Lab, Editors’ Lab, Producers’ Lab, and Writers’ Lab The Cineplex Entertainment Film Program champions original voices, entrepreneurism and collaboration. We encourage filmmakers to take creative risks and help them develop and package original content for the global entertainment market. Applications are now available online: http://cfccreates.com/programs/1-cineplex-entertainment-film-program Application Deadline: January 25th, 2...

The Easy Way to Solve the Gender Imbalance

January 21, 2016, 05:04 PM

https://blogs.creativecow.net/blog/13942/the-easy-...

Each year, San Diego State University’s Center for the Study of Women in Television and Film releases a “Celluloid Ceiling” report which shows female employment on the top 250 films of the previous year. This year’s numbers (released last week) are more of the same, with female employment hovering around the same percent for the last twenty years or so.

Transcript: Digital Production Buzz – January 21

January 21, 2016, 01:26 PM

http://www.digitalproductionbuzz.com/2016/01/trans...

GUESTS David Tillman, Documentary Producer/Editor Nick Mattingly, CEO, Co-Founder, Switcher Studio The post Transcript: Digital Production Buzz – January 21, 2016 appeared first on Digital Production BuZZ.

Postproduction on 'The Hateful Eight'

January 21, 2016, 01:25 PM

http://www.creativeplanetnetwork.com/news/edit/pos...

Written and directed by Quentin Tarantino, The Hateful Eight (Tarantino's eighth film) is set a few years after the Civil War. In it, eight strangers seek refuge in a stagecoach stopover in Wyoming during a blizzard.

Artist in Residence Tom Haneke on Sculpting a Docu

January 21, 2016, 10:28 AM

http://manhattaneditworkshop.blogspot.com/2016/01/...

Tom Haneke's work includes Barbara Kopple's Academy Award-winning documentary "American Dream" and "My Generation" (which he also co-directed). Tom edited From "Mao to Mozart: Isaac Stern in China," and "He Makes Me Feel Like Dancin'", which both received Academy Awards for best documentary. Haneke has also done several projects for HBO as well as Sundance Film Festival nominee "American Teen."Inspired by the studies of Robert and Helen Lynd in 1929 and 1935, this classic six-pa...

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