To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VIDEO - Editor Bill Pankow, ACE discusses the Film

January 14, 2016, 01:21 PM

http://manhattaneditworkshop.blogspot.com/2016/01/...

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive.Bill Pankow, ACE, has enjoyed a long collaboration with renowned director Brian De Palma, beginning as an associate editor on the films "Dressed to Kill" and "Scarface." Pankow graduated to editor on "Body Double" and continued his affiliation with De Palma on such films as "The Untouchables," "Casualties of War," "Carlito's ...

Just How Much Does That New HD Actually Cost Per T

January 14, 2016, 01:20 PM

http://eriknaso.com/2016/01/14/just-how-much-does-...

Hard drives are getting cheaper per terabyte or per gig every year, but figuring out what the sweet spot is for value can be confusing when looking at the 2 terabyte or 6TB options. Here is how you know exactly what capacity is the best deal.

Bill Pankow, ACE discusses the Film "The Black Da

January 14, 2016, 10:19 AM

http://www.youtube.com/watch?v=yCsh8Ol4eE4

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. Bill Pankow, ACE, has enjoyed a long collaboration with renowned director Brian De Palma, beginning as an associate editor on the films "Dressed to Kill" and "Scarface." Pankow graduated to editor on "Body Double" and continued his affiliation with De Palma on such films as "The Untouchables," "Casualties of War," "Carlito...

Art of the Cut Oscar Nominees

January 14, 2016, 10:19 AM

http://www.provideocoalition.com/art-of-the-cut-os...

Get in the Oscar nominee spirit by reading Art of the Cut interviews with the editors of the Best Picture Nominees and the Best Editing nominees.

Always

January 14, 2016, 10:19 AM

http://renderplease.com/post/137287123760

Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes...

Animated TEDxVail trailer created by Cogswell Medi

January 14, 2016, 10:19 AM

http://postperspective.com/animated-tedxvail-trail...

Students within Cogswell College’s MediaWorks program were hired by organizers behind the TEDx Vail Conference to develop and produce an original, short animated trailer promoting the January 8, 2016 event. See the TEDxVail trailer here: San Jose-based MediaWorks is a project-based learning initiative, in which audio, digital art and animation students collaborate on the production of short projects for various Silicon Valley businesses and beyond. They not only mimic, but actually pu...

The Revenant, Mad Max: Fury Road Lead 2016 Oscar N

January 14, 2016, 10:18 AM

http://www.studiodaily.com/2016/01/2016-oscar-nomi...

The Revenant is the movie to beat at the 88th annual Oscars, having earned 12 Academy Award nominations, including for best picture. Mad Max: Fury Road was close on its tail with 10 nominations. Announced this morning, the 2016 Oscar nominations didn't hold … more » The post The Revenant, Mad Max: Fury Road Lead 2016 Oscar Nominations appeared first on Studio Daily.

Prestigious Documentary Uses Multiformat Editing w

January 14, 2016, 10:18 AM

http://www.videoguys.com/blog/guides/user-spotligh...

When you are looking to improve your workflow, there is nothing like a real-life example to give you insight into the effectiveness of a product. Grass Valley’s EDIUS Workgroup 8 covered the following project’s nonlinear editing needs and then some. Read on to see how they overcame challenges and reaped the benefits of Grass Valley’s Read More The post Prestigious Documentary Uses Multiformat Editing with EDIUS Workgroup 8 appeared first on Videoguys Blog.

Joy Editors on Playing with peak Performances

January 14, 2016, 10:18 AM

http://www.wheretowatch.com/2016/01/joy-editors-pl...

Behind every award-winning performance there is an editor, or editors, who play an integral part in shaping it for the big screen, and Jennifer Lawrence’s Golden Globe-winning performance in David O. Russell’s Joy is no exception. We talk to editors Alan Baumgarten and Jay Cassidy about the role of the editor and when it’s necessary to tell Russell to ‘go away’.

88th Academy Awards Nominations Announced

January 14, 2016, 10:17 AM

http://www.firstshowing.net/2016/88th-academy-awar...

The complete list of nominees for the 88th Academy Awards, the most prestigious award in Hollywood, have been announced today (via oscar.go.com). The Academy of Motion Picture Arts and Sciences revealed the nominees this morning live via online/television broadcast.

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