It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 13, 2010, 02:20 PM
http://hollywoodreinvented.com/2010/07/12/is-apple...
Steve Jobs e-mail reassurances notwithstanding, this is a question that’s getting asked a lot in editing suites these days, especially those with large Final Cut Pro/Final Cut Studio installations. While users of other software; Adobe CS Suites including Premiere and After Effects, Avid’s Media Composer, Sony Vegas and Square Box Systems CatDV just to name a few, get new features and powerful upgrades, Final Cut Pro editors are stuck waiting on the sidelines.
July 13, 2010, 01:26 PM
http://digitalcontentproducer.com/videoedsys/revfe...
Once the interviews were synced, all the clips were converted to Apple ProRes 422 24fps. After gathering all of the perspectives from each interview, I came across two lines that helped me really understand and create Sasha's story. Her father talks about Sasha's contradicting personalities— as if there were a constant battle between the two sides of this curiously engaging girl. This conflict goes even deeper when Froomer asks Sasha to introduce herself.
July 13, 2010, 10:51 AM
http://lfhd.net/2010/07/12/xdcam-vs-prores/
Yeah, I know, I know. I already knew this, and I have told many MANY other people that they should edit XDCAM as ProRes...but I thought that I’d just save a LITTLE time with these quick promos I am cutting and keep them as XDCAM, but render them out of Color as ProRes. I did a small test and it worked.
July 12, 2010, 04:56 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Michael Clayton has been described as a thriller, but it’s more about "soul sickness," according to writer-director Tony Gilroy, about people who find themselves in exile facing moral dilemmas. As a result, his brother, editor John Gilroy, A.C.E., had to make sure the audience stayed inside the characters, while creating a subtle build-up of tension throughout. The filmmakers also created a specific look, which paid homage to movies from the 1970s, in which composition within a widescreen...
July 12, 2010, 04:55 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
So what advice would you expect from a Pulitzer Prize-winning playwright father to his younger son, who will be editing the first feature film of his eldest son? "Just cover his ass," John Gilroy, A.C.E., laughs.
July 12, 2010, 04:53 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Known for having cut some of cinema’s most iconic actions sequences, largely in effects-heavy films, Oscar-winning editor Conrad Buff, A.C.E., is poised to add another CGI-laden title to his impressive list of credits when Paramount Pictures releases M. Night Shyamalan’s The Last Airbender July 2. A 3-D live-action film based on Nickelodeon’s animated television series Avatar: The Last Airbender, this is the editor’s second film in collaboration with Shyamalan.
July 12, 2010, 04:52 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Gathered together in the same cutting room on the 20th Century Fox lot, Don Zimmerman, A.C.E., and his three sons––Danny, Dean and David––have the peculiar ability to meander in and out of one another’s thoughts when they speak. Their memories are collective, multi-faceted, complementary. The effect, made more acute by the fact that Danny and Dean are astonishingly identical twins, is rather like a single, hydra-headed Zimmerman. As they fall into what must be a familiar dialogue, one....
July 12, 2010, 04:51 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
With the sad passing of legendary editor and former Editors Guild Vice President Dede Allen, A.C.E., in mid-April, and the subsequent simultaneous memorial tributes to her in New York and Los Angeles held a month later (see Page 12), my thoughts turn to family. Especially after reading the comments of her son, award-winning re-recording mixer Tom Fleischman, MPSE, CAS, addressing the attendees at the East Coast memorial: "As I look at you, I see my family, extended family, dear friends and...
July 12, 2010, 12:30 PM
http://www.studiodaily.com/blog/?p=3585
Digital Rebellion has recently released a new tool that adds addition functionality to one of their other very useful tools FCS Maintenance Pack. The new FCS Maintenance Pack Network Admin will allow a system administrator perform the tasks and functions of the maintenance pack remotely. A full rundown of the tool was posted on the Digital Rebellion site just over a week ago.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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