It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2016, 09:26 AM
http://www.studiodaily.com/2016/06/sam-says-quante...
Snell Advanced Media (SAM) said that its Quantel Rio is the first finishing system to support the color science embedded in the Panavision Millennium DXL camera system announced last week. The DXL camera features something called Light Iron Color, a proprietary image-mapping … more » The post SAM Says Quantel Rio Supports Color Science in Panavision DXL appeared first on Studio Daily.
June 1, 2016, 10:23 AM
http://www.premiumbeat.com/blog/pro-insights-from-...
Rockstar pro colorist Mark Todd Osborne shares stories and insight from his celebrated career in color. If you want to know how to break into the big leagues, start here.
May 27, 2016, 04:45 AM
http://www.cgmeetup.net/home/how-to-get-swirling-c...
A quick demo showing how to get swirling colors on your Bifrost liquid.
May 18, 2016, 05:58 AM
http://erichansen.tv/2013/08/15/color-grading-stro...
Brain Farm is excited to announce Strong to the Finish, currently in production and seeking funding via Kickstarter.
May 18, 2016, 05:58 AM
http://erichansen.tv/2013/04/03/my-resolve-mac-pro...
After seeing Instagram pictures of me grading, a lot of readers have been asking about my personal Resolve setup. Well, I’m in the middle of redesigning my living room so I can put most of my equipment in a closet, out of view. So no pictures. But here is the configuration “on paper” if you will...
May 17, 2016, 05:36 AM
http://www.provideocoalition.com/X300_Technicolor
HDR? Check. 4K Resolution? Check. OLED? Check. The Sony BVM-X300 OLED HDR 4K Pro Monitor has all the right boxes checked for Technicolor to rely on the X300 as a reference monitor. Technicolor If you don’t know who Technicolor is you might want to freshen up. These pros have been part of film-making for The post Technicolor, HDR and Sony’s X300 OLED 4K Monitor appeared first on ProVideo Coalition.
May 16, 2016, 04:54 PM
http://postperspective.com/colorist-society-intern...
Steven Spielberg’s color timer, Dale Grahn, has been named a Fellow of Colorist Society International (CSI). With hundreds of major film credits including, Saving Private Ryan, War of the Worlds, Minority Report, Gladiator and Predator, Grahn has shaped much of the look of modern cinema, Continue reading →May 16, 2016
May 9, 2016, 04:20 PM
http://www.4kshooters.net/2016/05/10/enhanced-log-...
In the latest version of DaVinci Resolve 12.5, Blackmagic Design overhauled the Log grading controls along with the overall approach these settings affect colours. Currently, they provide much smoother and more pleasing results, especially when it comes to color grading Log-encoded images. All in all, now there are two ways of using the Log mode controls. On one hand, you can utilise these settings to make quick, colour grading adjustments to your Log footage while it’s normalised by a LUT. Th...
May 9, 2016, 10:59 AM
http://www.provideocoalition.com/transcode-before-...
There are a lot of misconceptions about transcoding, and discussions on transcoding pop up in forums and groups quite often. This is an attempt to bring some facts and practical advice on the table. The Myth we’re busting: Transcoding your 8-bit source material to 10-bit will magically make it more robust, so you can do The post Should you transcode before Color Grading in Adobe Premiere? appeared first on ProVideo Coalition.
May 2, 2016, 09:43 AM
http://www.youtube.com/watch?v=Ybmkm_w6t1o
In this video, ICA instructor Warren Eagles talks about our ICA 101, ICA 201 and ICA 205 workshops in New York at Manhattan Edit Workshop! There's so much more to this class than just learning what buttons to push. Learn about the equipment we use and hear from actual students from the class on their experiences from these classes. Music by Marcus Neely: https://soundcloud.com/musicbymarcus Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to adv...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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