To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cinefex Vault: Angels in America

April 20, 2016, 07:02 AM

http://cinefex.com/blog/angels-in-america/

In the early years of the new millennium, Cinefex launched an experiment – the Cinefex Weekly Update. Readers had the option to submit email addresses and receive, every seven days, a free Cinefex mini-article, plus a column of ‘Film Clips’ highlighting effects-related news, filtered through a Cinefex perspective.

VFX Producer Paul Grimshaw Joins Tippett Studio

April 20, 2016, 07:01 AM

http://www.awn.com/news/vfx-producer-paul-grimshaw...

BERKELEY, CA -- Two-time Academy Award-winner Tippett Studio has announced the hire of Paul Grimshaw as Executive Producer of Commercials and New Media. As a former Executive Producer of Industrial Light and Magic’s commercial production division and VP/Executive Producer at The Orphanage, Grimshaw brings to Tippett his extensive experience in advertising and a background in both live action and animation/visual effects production.

Digital Production Buzz – April 19, 2016 – Sho

April 19, 2016, 01:24 PM

http://www.digitalproductionbuzz.com/2016/04/digit...

Join Larry Jordan, live from our booth on the show floor, as he talks with Tim Dashwood, Sean Mullen, Mike Woodworth and Melissa Davies-Barnett. The Digital Production BuZZ is LIVE at NAB 2016! Listen to the Full Episode Buzz on iTunesTranscript Guests this Week This week the Digital Production BuZZ takes on NAB 2016 in Las Vegas with Dashwood Cinema Solutions, Rampant Design Tools, Divergent Media, and Arc9! … The post Digital Production Buzz – April 19, 2...

CROUCHING TIGER, HIDDEN DRAGON: VFX

April 19, 2016, 01:19 PM

http://www.artofvfx.com/crouching-tiger-hidden-dra...

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX Supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

Creating Holograms for Star Wars: Episode VII –

April 18, 2016, 11:46 AM

http://blogs.adobe.com/creativecloud/creating-holo...

As the founder of Video Copilot and creator of the wildly popular Element 3D and Optical Flares plug-ins for Adobe After Effects, Andrew Kramer is a bit of a rockstar in the visual effects community. If that isn’t enough, he’s also worked closely with Director J.J. Abrams on a number of sci-fi film and television projects, including Star Trek, Super 8, Fringe, and Almost Human. Most recently, he worked with Abrams on Star Wars: Episode VII – The Force Awakens, designing the many hologr...

Become a Master of Blending Modes in Final Cut Pro

April 18, 2016, 11:45 AM

http://www.premiumbeat.com/blog/become-a-master-of...

Add quick stylization to your video projects with blending modes in Final Cut Pro X. Learn the technique with FREE stock footage and music from Shutterstock and PremiumBeat.

VR/360 to event coverage added to NAB

April 18, 2016, 11:43 AM

http://www.videoguys.com/blog/vr360-event-coverage...

VR and 360-degree video content is getting the coverage it deserves at NAB 2016! Here is a preview from an interview with the creators of this SuperMeet production. Learn about what will be covered. NAB: Las Vegas SuperMeet adds VR/360 to event coverage Randi Altman’s Post Perspecitive The Rio Hotel will be hopping on April Read More The post VR/360 to event coverage added to NAB appeared first on Videoguys Blog.

THE FRANKENSTEIN CHRONICLES: VFX Breakdown

April 18, 2016, 07:00 AM

http://www.artofvfx.com/the-frankenstein-chronicle...

Screen Scene presents their VFX work on THE FRANKENSTEIN CHRONICLES in a really cool way!

Layer Slayer Eases Layer Sync in AE’s Timeline

April 16, 2016, 12:26 PM

http://lesterbanks.com/2016/04/layer-slayer-sync-l...

One of the drawbacks to having a layer based compositor is that things can get a little crazy. The amount of layers, and the amount of the same layers that you can have in your After Effects timeline, could potentially bite you in the butt later on. Of course the After Effects timeline’s stacking order […] The Post Layer Slayer Eases Layer Sync in AE’s Timeline originally appeared and published on %%BLOGLINK%,by lesterbanks

Create Seamlessly Looping Spirals With Trapcode TA

April 16, 2016, 12:26 PM

http://lesterbanks.com/2016/04/looping-spiral-trap...

Dominic Pons shows a couple of different methods for creating spirals using TRapcode TAO in After Effects. The Post Create Seamlessly Looping Spirals With Trapcode TAO originally appeared and published on %%BLOGLINK%,by lesterbanks

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