It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 26, 2015, 09:17 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Following a screening of Star Wars: The Force Awakens on the evening of December 23 at the Pacific Design Center, picture editors Maryann Brandon, ACE, and Mary Jo Markey, ACE, spoke about their collaboration with director J.J. Abrams, and how he has incredible trust in his editors, giving them the time and space to shape the film in the cutting room. Scott Manz of Access Hollywood was the moderator.
December 25, 2015, 06:49 PM
http://www.provideocoalition.com/free-function-fri...
Ep. 13 importAFile Free Function Friday
December 25, 2015, 06:49 PM
http://www.youtube.com/watch?v=2l4HGBoT5BY
From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. Bill Pankow, ACE, has enjoyed a long collaboration with renowned director Brian De Palma, beginning as an associate editor on the films "Dressed to Kill" and "Scarface." Pankow graduated to editor on "Body Double" and continued his affiliation with De Palma on such films as "The Untouchables," "Casualties of War," "Carlito...
December 25, 2015, 05:39 AM
http://lappg.com/december-2015-photos/
[See image gallery at lappg.com] Our December meeting was festive filled with great presentations and thousands of dollars of prizes, holiday treats and a a visit form our very own Santa Claus (Kent Luck)! Donations came in by the bagful for our 5th Annual LAPPG Food Drive benefiting the Westside Food Bank. What a generous […]
December 24, 2015, 03:42 PM
http://www.videoguys.com/blog/news-and-sales/avid-...
The popular Avid ISIS | 1000 is in the news again for being a reliable, fast, affordable solution for production professionals. Find out more in the webinar below. Avid Finds Success with Low Cost Storage System for Video The Broadcast Bridge blog Avid said its new, affordable shared storage system for creative teams and video Read More The post Avid ISIS | 1000 Succeeds as Low Cost Storage System for Video appeared first on Videoguys Blog.
December 24, 2015, 11:50 AM
http://www.btlnews.com/awards/contender-editor-jak...
When editor Jake Roberts first heard about the movie Brooklyn, he was at first hesitant to take the job of editor, because he assumed the story was about a hipster rom-com. Little did he know it was a Nick Hornby script, based on a Colm Toibin novel, set in the 1950s. But he “quickly re-calibrated, and read the script twice for tone.” The script was incredibly moving and he was also interested in the project, because he was “keen to work on a film from a female perspective and not be ...
December 24, 2015, 11:49 AM
http://www.videoguys.com/blog/news-and-sales/avid-...
Avid blog By Charlie Russell in Filmmaking Media Composer has helped bring countless films to the silver screen—from film school favorites and Sundance breakouts, to summer blockbusters and Oscar-winning epics. And it’s also used to create top shows for television and streaming. But why do the world’s most creative artists choose Media Composer to tell Read More The post Avid Media Composer: Nothing Should Stand Between You and Your Epic appeared first on Videoguys Blog.
December 24, 2015, 08:06 AM
http://www.videoguys.com/blog/video-editing/create...
This article explains how HitFilm VFX software can help you create your own epic effects – whether you are a pro or just getting started. FXHome HitFilm is an affordable effects editor with an abundance of 2D and 3D visual effects. HitFilm 3 Express Special Edition Offers Star Wars-Style VFX By James DeRuvo (doddleNEWS) When Read More The post Create Star Wars-Style VFX with HitFilm appeared first on Videoguys Blog.
December 23, 2015, 06:26 PM
https://news.creativecow.net/story/880449
(Boston, Massachusetts--December 23, 2015) Boris Continuum Complete 10 (BCC 10) is a new package of professional plug-ins available for Adobe® Creative Cloud® video applications. Highlights include integrated mocha® technology for advanced masking and effects isolation; BCC Beauty Studio, a skin smoothing and retouching filter; and BCC Title Studio,
December 23, 2015, 03:46 PM
http://www.provideocoalition.com/davinci-resolve-1...
First Blackmagic Design's DaVinci Resolve 12 appears on Mac's App Store with a new lower price. Then Blackmagic announces an update to the same program.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.