It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 21, 2015, 01:14 PM
http://www.videoguys.com/blog/guides/video-tutoria...
Attention studio professionals: Need more capacity, speed, and a large amount of external storage? Here is what you need to know about RAID 5 from the experts at RGGEDU.com. RGG Co-Founder & Director Gary W. Martin explains what a RAID 5 configuration is and when to use RAID 5. Shop all of G-Technology’s G|Speed line. The post All about RAID 5 appeared first on Videoguys Blog.
December 21, 2015, 01:14 PM
http://www.videomaker.com/article/c10/18020-an-edi...
There’s a science behind our art, based on theories postulated throughout cinematic history. We’ll learn that history, the terms of the craft and how to put them into practice.
December 21, 2015, 10:24 AM
http://www.aotg.com/index.php?page=resolve_12_revi...
What many of us really wanted was a software that could edit as well as FCP X or Premiere Pro, but that also included finishing tools that you might find in After Effects or Resolve. We wanted a system that would truly reflect the digital age in which we worked, and would offer a truly innovative experience. I’m pleased to say that for many of us, that answer has finally come in the form of DaVinci Resolve 12.
December 21, 2015, 10:21 AM
http://www.btlnews.com/awards/contender-editor-pie...
Many directors have a regular crew of collaborators on their films. Editor Pietro Scalia first worked with director Ridley Scott on G.I. Jane in 1997 and won his second Oscar for the Scott-directed, Black Hawk Down. Because the production of The Martian came together more quickly than is usual for a high-profile project, when production started Scalia was editing The Sea of Trees for director Gus Van Sant, but he was able to join the team in Budapest about four weeks into the shoot. The po...
December 21, 2015, 10:20 AM
https://fxfactory.com/blog/effects-2/retro-tv-for-...
Retro TV faithfully reproduces vintage TV sets from the 1950’s through the 1980’s.
December 21, 2015, 10:20 AM
http://www.provideocoalition.com/benq-pv3200pt-ult...
December 21, 2015, 10:19 AM
http://www.creativebloq.com/productivity/25-tips-s...
There's a myth about freelance life that it largely comprises lounging around in your pants watching endless box sets.
December 21, 2015, 05:36 AM
https://blogs.creativecow.net/blog/13929/some-mast...
By looking at the metadata in the Avid bin I look for some signs of the path ingest history.
December 20, 2015, 09:45 AM
http://www.provideocoalition.com/art-of-the-cut-wi...
Fred Raskin has edited a number of great projects including 2014’s “Guardians of the Galaxy” and “Fast and Furious.” As an assistant editor, he worked on both of Quentin Tarantino’s “Kill Bill” movies before moving to Tarantino's coveted editor chair with “Django Unchained.”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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