To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

X-Rite ColorChecker Video: Remaking the Colour Cha

October 28, 2015, 05:11 AM

http://www.redsharknews.com/production/item/2993-x...

We examine the X-Rite ColorChecker Video, an attempt to update an industry standard. XRitei1 Display ProColorChecker VideoColour Chart

FilmConvert's Color Up Film Competition 2015

October 27, 2015, 09:36 AM

https://www.cinema5d.com/filmconverts-color-up-fil...

Here at cinema5D, we are truly big fans of the film look software FilmConvert. You have to look hard for any recent video which wasn’t graded using the plug-in or standalone software. A very easy and efficient way to get very distinct and refined film looks as well as matching different cameras with all their custom camera presets.

V-Log L LUTs

October 27, 2015, 09:36 AM

http://blog.planet5d.com/2015/10/v-log-l-luts-by-c...

In-demand UK cinematographer James Miller has been making and using LUTs in his stills photography and cinematography for longer than many of us have been shooting LUTless or not.

Red Giant Magic Bullet 12 is your Color Grading Mo

October 26, 2015, 05:19 PM

http://www.videoguys.com/blog/news-and-sales/red-g...

Red Giant Magic Bullet Suite delivers addditional performance and features that video editors will love. In this review you’ll learn more about the feaures and performance that make Red Giant Magic Bullet Suite  the color grading tool everyone can and should be using. Planet 5D by High Brownstone Magic Bullet 12: Color Grading MONSTER, Right Inside Your NLE Please Read More The post Red Giant Magic Bullet 12 is your Color Grading Monster! appeared first on Videoguys Blog.

How to Color Correct Mismatched Footage the Right

October 23, 2015, 12:20 PM

https://www.rocketstock.com/blog/how-to-color-corr...

If you’re a working editor or colorist, chances are you’ve faced the challenge of matching straight-out-of-the-camera shots that just don’t look right. Even if the cameras had the same exposure/white balance settings, there will still likely be some obvious differences in contrast, saturation, and color balance between them. This can be a result of different color science, camera settings, or lens choice.

Podcast: Flanders Scientific Part 3

March 31, 2015, 04:54 AM

http://www.taoofcolor.com/2361/podcast-rec-2020-4k...

Bram Desmet is the CEO and General Manager of Flanders Scientific, Inc., based in Georgia just 30 minutes outside of Atlanta.

Podcast: Flanders Scientific Update – Part 2

March 24, 2015, 05:42 AM

http://www.taoofcolor.com/2349/podcast-flanders-sc...

In this podcast we dive deep into professional Display calibration and the variety of geeky issues that surround them—from peak luminance values to LED RGB

FCG090 – Color Grading and FCPX (feat. Zeb Chadf

October 17, 2014, 04:42 AM

http://digitalcinemacafe.com/2014/10/16/fcg090-col...

From VHS cuts only edits to FCPX, Zeb Chadfield has done it all over the years. As a broadcast colorist and the last eyes on a piece before it goest to air, Zeb has a unique view of what Final Cut Pro X does, and does well. This discussion spends a fair amount of time on coloring and Davinci Resolve workflow.

Digital Production Buzz — December 5, 2013

December 5, 2013, 05:47 AM

http://www.digitalproductionbuzz.com/2013/12/digit...

On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Guisela Moro, Jessica Sitomer, Brian Drewes, and Cirina Catania about: Lessons Learned Directing a Feature Film The Secrets to Being Grateful Surviving in the Motion Graphics Industry Special Report from 2013 GV Expo

The Coloristos ColorCast

October 13, 2013, 08:12 AM

http://coloristos.podomatic.com/

In this Episode of the ColorCast, the Coloristos discuss online editing and grading for broadcast TV, including passing QC, managing deadlines, and working efficiently under pressure. They also cover emerging trends in the industry, from online distribution and "all-at-once" delivery, to a new generation of editorial and color tools that are facilitating the rapid adoption of feature film workflows into high-end episodic television.

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