It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 5, 2016, 12:48 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
There is a brightness in all things, but particularly in bif’s opening title sequence for OFFF Festival 2015, held in Porto, Portugal.Designers Jules Janaud and Fabrice Le Nezet, otherwise known as bif, were tasked with creating the festival’s main titles and preparing an audience of hundreds for two days of inspirational talks about animation, illustration, and design. As was the case with their previous festival titles work for Playgrounds Fest 2014, the duo let their sense of play and...
January 5, 2016, 12:48 PM
http://www.provideocoalition.com/motion-blur-in-fi...
January 5, 2016, 12:48 PM
http://www.hollywoodreporter.com/behind-screen/how...
To re-create Philippe Petit's 1974 high-wire performance at New York's World Trade Center for Robert Zemeckis' The Walk, which is on the Oscar VFX shortlist, the filmmakers had to start from scratch since the twin towers no longer exist. For visual effects supervisor Kevin Baillie of lead VFX house Atomic Fiction (Montreal's Rodeo FX and Prague's UPP also contributed to the film), that meant extensive research and an unforgettable helicopter ride.
January 5, 2016, 12:48 PM
http://www.hdvideopro.com/blog/behind-the-scene-da...
Academy Awards heavyweight David O. Russell has returned this holiday season with his eighth feature film, JOY, his third collaboration with Academy Award® winner Jennifer Lawrence, as well as actors Bradley Cooper and Robert De Niro, who have also worked with the director on three films each. Russell prefers to work with the same stable of talent both in front of and behind the camera, as Jay Cassidy and Alan Baumgarten have worked as editor with Russell previously, and the film features cinem...
January 5, 2016, 06:53 AM
http://www.animationmagazine.net/events/animated-v...
Anomalisa, Inside Out and The Good Dinosaur were nominated in the best animated feature film category for the 66th annual ACE Eddie Awards.
January 5, 2016, 06:53 AM
http://www.artofvfx.com/belle-sebastian-the-advent...
Nice VFX breakdown by AutreChose about their work on BELLE & SEBASTIAN – THE ADVENTURE CONTINUES...
January 5, 2016, 06:53 AM
https://blogs.creativecow.net/blog/13895/file-size...
Some file size questions using DNxHD codec and Avid Native MXF media files that I get asked. And a basic answer.
January 5, 2016, 06:52 AM
https://blogs.creativecow.net/blog/13888/perfect-t...
Making a source tape pull list for online tape batch-digitizing. I get asked to help when creating-a-list-is-crashing-the-avid.
January 5, 2016, 06:52 AM
https://blogs.creativecow.net/blog/13885/find-the-...
If there is ever a question of what folder structure the Avid is using when creating the media databases for mxf links to master clips. Here is a quick way for an answer.
January 5, 2016, 06:52 AM
https://blogs.creativecow.net/blog/13869/3-steps-t...
Step 01: Go to the Timeline Fast Menu > Clip Text > and activate Media File Names
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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