To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mix Prep - 5 Steps

December 28, 2015, 11:13 AM

http://www.pro-tools-expert.com/home-page/2015/12/...

Never forget that mixing is a creative process. I find so many people are more than happy to jump head first into a mix with not even undertaking even the most basic stages of mix preparation.

Colour correction with Picture Instruments' Color

December 28, 2015, 11:13 AM

http://photo.it-enquirer.com/2015/12/colour-correc...

Colour correction is usually high up on your list of image adjustments. Color Cone is a new app that enables you to do so with an innovative interface. The Color Cone app is a great concept, but I think its design could be better.

Lipton "The Revolution in Tea": Making of by The M

December 28, 2015, 11:12 AM

http://www.artofvfx.com/lipton-the-revolution-in-t...

The Mill have just published this making of about their nice VFX work on Lipton “The Revolution in Tea”...

Gold Awards Interviews - Animation Guild

December 28, 2015, 11:12 AM

http://animationguildblog.blogspot.ca/2015/12/anim...

Once more Harvey Deneroff takes us back to the 1980s and short talks with animation veterans Tom Baron (who began his career with Leon Schlesinger in 1933) and and Dick Hall (who got into the cartoon biz three years earlier.

Cinema 4D Facial Hair systems

December 28, 2015, 06:19 AM

http://cgvilla.com/2015/12/28/cinema-4d-facial-hai...

Learn the exciting technique called “cSoftening” in this brand new Head and Facial Hair Training Video For Cinema 4D. Featuring both C4D Render and Arnold Rendering setups!

The Sound of The Martian with Re-recording Mixer P

December 28, 2015, 06:19 AM

http://soundworkscollection.com/news/soundworks-co...

In this exclusive SoundWorks Collection interview we talk with music and dialogue Sound Re-recording Mixer Paul Massey about his work on Director Ridley Scott's The Martian. The final mix was completed at Twickenham Studios in London and music was recorded and mixed by Peter Cobbin at Abbey Road Studios for Composer Harry Gregson-Williams.

*KOAN*, por Karina Kracoff (SAE)

December 27, 2015, 08:52 PM

http://saeditores.org/Novedades/KOAN-por-Karina-Kr...

Una síntesis personal de la edición por sus artífices.

ART OF THE CUT with "Spotlight" editor Tom McArd

December 27, 2015, 08:51 PM

http://www.provideocoalition.com/art-of-the-cut-wi...

Tom McArdle has 35 credits as an editor, including five films with director Tom McCarthy, the latest of which is “Spotlight” which is landing on lots of lists of the best films of 2015.    

Interview: Stephen Mirrione Edits The Revenant

December 27, 2015, 09:13 AM

http://www.awardsdaily.com/2015/12/23/interview-st...

Innaritu’s Birdman immersed us into a visceral world, resting on a single shot take. Editor Stephen Mirrione was a key part in helping to pull off that magic trick. It’s hard when talking to him, not to reference his work on that film. 2015 sees Mirrione collaborate once again with Innaritu and Lubekski to work his magic on The Revenant.

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