It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 25, 2015, 06:31 AM
http://www.digitalrebellion.com/blog/posts/black_f...
For a limited time we are offering our products at reduced prices: Pro Maintenance Tools: was $129, now $99 Pro Media Tools: was $99, now $79 Pro Versioner: was $49, now $34 CinePlay for Mac: was $29, now $19 CinePlay for iOS: was $9.99, now $6.99 Cut Notes for iPad: was $14.99, now $9.99 This is a great opportunity to get our products at a lower price and the offer extends through November 30th.
November 24, 2015, 05:09 PM
http://www.redsharknews.com/technology/item/3063-c...
With momentum building behind USB Type C — witness its recent alighting on the iPad Pro — there is a chance it could go on to be the next big thing in connectivity. Docks will help that process. USB Type CMacbookChromebookDocksdocking stationconnectivity
November 24, 2015, 05:08 PM
http://www.edaeditores.org/seminario-de-miguel-lav...
Con gran satisfacción estamos auspiciando el Seminario Internacional de Montaje organizado por Doca Documentalistas Argentinos y dictado por Miguel Lavandeira. El mismo será los días 26, 27 y 28 de Noviembre en La Manzana de las luces (Perú 272). El temario consistira en: Los editores en el documental: Guionistas con imágenes y sonido. Equipo […]
November 24, 2015, 05:08 PM
http://www.edaeditores.org/distincion-a-miguel-per...
Queremos felicitar a nuestro Socio Honorario 2014 Miguel Pérez (SAE) (EDA) por su excelencia como maestro: fue distinguido esta semana con el premio CILECT Teaching Award 2015 en reconocimiento a su dedicación docente a nivel internacional. El CILECT (Asociación Internacional de Escuelas de Cine y TV), prestigioso organismo que reúne a más de 160 escuelas […]
November 24, 2015, 05:08 PM
http://postperspective.com/review-video-copilots-e...
Improved UI, shadows, reflections and more By Brady Betzel If you’ve read my past reviews, you likely know how much I love Video CoPilot’s Element 3D. I can’t stop talking about it, in my reviews, at work, on social media, or even at home with my four-year-old son, who typically responds with, “Can it make Thomas the Train?” Luckily, I am able to respond, “Yes, as long as daddy has a Thomas 3D model.” I’ve been using Element 3D, which is currently in v2.2, since v1. I have...
November 24, 2015, 01:32 PM
http://www.provideocoalition.com/after-effects-hid...
Normally, a Position keyframe in After Effects defines a time, and the position value at that time. This can get unwieldy when you create a complex motion path - such as following a map or maze, or hand-tracing a path with Motion Sketch - and then want to finesse the timing of that path later, as you often have to tweak the timings of a lot of keyframes to create a smooth end result. As it turns out, there’s a little-known function inside After Effects called Roving Keyframes where the t...
November 24, 2015, 01:31 PM
https://library.creativecow.net/wilson_tim/Hunger-...
So as we tell the story of Alan Bell, ACE and Mark Yoshikawa, ACE editing The Hunger Games: Mockingjay – Part 2, let's start with the very first edit decision made by director Francis Lawrence: making the third book of Suzanne Collin's written trilogy as two films.
November 24, 2015, 10:36 AM
http://www.aotg.com/index.php?page=cuttingroom_180
Gordon sits down with Eddie Hamilton to discuss the editing process of Mission: Impossible - Rogue Nation. If you haven't seen the film yet, go rent it and then listen to this episode. We discuss many topics that lead to many potential spoilers.
#editor#mission impossible#eddie hamilton#rogue nationNovember 24, 2015, 10:32 AM
http://www.btlnews.com/awards/contender-editor-nat...
According to Nathan Nugent, editor of Room, director Lenny Abrahamson is always open to changes on set. He had plans for how a scene was going to work, but he did not storyboard every scene. Rather he trusted the actors and their organic movement, taking how they work as a key. The post Contender – Editor Nathan Nugent, Room appeared first on Below the Line.
November 24, 2015, 10:32 AM
http://www.premiumbeat.com/blog/how-to-clean-up-no...
Do you have an issue with noisy video? Follow these steps in Premiere Pro and your video will be cleaned up in no time!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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