To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

OSCARS 2016: The VFX shortlist

December 21, 2015, 03:13 PM

http://www.artofvfx.com/oscars-2016-the-vfx-shortl...

Here is the shortlist for the Best Visual Effects Award for the 88th Academy Awards...

Composer Tom Holkenborg, Black Mass

December 21, 2015, 03:13 PM

http://soundworkscollection.com/news/contender-com...

“I usually get really sucked into a film because I enjoy films and I think it’s an amazing, higher art form where most of the things I love all come together in one medium,” commented composer Tom Holkenborg. On a first viewing of a film, Holkenborg does not watch from a professional standpoint in terms of what he should be composing. Rather, he just enjoys the film, walks away, and takes a day or two to process what he saw and felt. His next step is to figure out how to transfer that expe...

Refer-A-Friend to the Freelancer Progam for Free D

December 21, 2015, 01:15 PM

http://www.prosoundeffects.com/blog/refer-a-friend...

Know any freelance media creators? Tell them about the Pro Sound Effects Freelancer Program! x If they apply and provide your email address in the Partner Priority Code field, we’ll send you a code for a free sound effect download from our Online Library! If they buy the Hybrid Library, we’ll send you another code ... The post Refer-A-Friend to the Freelancer Progam for Free Downloads appeared first on Pro Sound Effects Library.

All about RAID 5

December 21, 2015, 01:14 PM

http://www.videoguys.com/blog/guides/video-tutoria...

Attention studio professionals: Need more capacity, speed, and a large amount of external storage? Here is what you need to know about RAID 5 from the experts at RGGEDU.com. RGG Co-Founder & Director Gary W. Martin explains what a RAID 5 configuration is and when to use RAID 5. Shop all of G-Technology’s G|Speed line. The post All about RAID 5 appeared first on Videoguys Blog.

Transcript: Making of Holochess for Star Wars

December 21, 2015, 01:14 PM

http://www.tested.com/starwars/558000-transcript-m...

Read Adam Savage's interview with Phil Tippett, Chuck Duke and Tom Gibbons about restoring and animating the Holochess creatures for Star Wars: The Force Awakens.

Ant-Man Vfx Breakdown by Cinesite

December 21, 2015, 10:19 AM

http://www.cgmeetup.net/home/ant-man-vfx-breakdown...

Cinesite delivered a major visual effects sequence for the Marvel Studios production Ant-Man. Ant-Man and his evil nemesis Yellow Jacket, who have been fighting in a suitcase inside a helicopter, continue their battle after the case falls to the ground. Landing in a swimming pool at a family barbecue, the characters grow to normal size, then shrink back down again as they brawl in front of shocked bystanders.

25 tips for staying sane as a freelancer

December 21, 2015, 10:19 AM

http://www.creativebloq.com/productivity/25-tips-s...

There's a myth about freelance life that it largely comprises lounging around in your pants watching endless box sets.

Interview Aidan Gibbons, Mill+ Director

December 21, 2015, 05:37 AM

http://filmireland.net/2015/12/21/irish-vfx-animat...

Aidan Gibbons is a Mill+ Director working out of the London studio. Aidan moved into Direction after working as a senior member of The Mill’s 3D team, where he was a CG lead, and has led artists on a number of high profile advertising campaigns for Lexus, Santander and Brother. Most recently Aidan has directed commercials for Lexus ‘Geneva Motorshow,’ Ssang Yong ‘Tivoli’ and Jaguar ‘ACST’.

Jordskott Vfx Breakdown

December 21, 2015, 05:37 AM

http://www.cgmeetup.net/home/jordskott-vfx-breakdo...

This is a shorter version with some picks from the complete VFX reel which is coming later. Stopp delivered a total of 342 shots for the final edit with a very wide range of visual effects, from small fixes to advanced digital effects.

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