It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 18, 2012, 08:25 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Now that you've edited clips into your timeline, in this lesson, Kevin P McAuliffe shows you how to move clips around inside of your edits using the Segment Modes feature, accessed right from within your timeline. This is a must watch lesson for FCP7 or any editor switching to Media Composer, as it shows a common workflow for editors who are accustomed to working in other NLE's.
October 17, 2012, 11:18 PM
http://provideocoalition.com/index.php/createasphe...
As the time draws near for the very first Digital Process Workflow Lab, which makes its debut at Createasphere's Entertainment Technology Expo on November 7th and 8th, we're speaking with partners in the Lab to describe how it works and what information visitors can gain.
October 17, 2012, 11:18 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SAN DIEGO -- Sorenson Media (www.sorensonmedia.com) has entered into a strategic partnership with RealNetworks to provide an end-to-end solution to encode, manage and deliver high-quality online video content. The partnership offers jointly bundled products, as well as single purchase capability from either vendor, and the two companies are actively exploring further integration and collaborative development of new offerings.
October 17, 2012, 11:18 PM
http://www.aotg.com/edl/andrei-tarkovsky-films-v/
Tarkovsky is known for his use of long takes and his ultimate hatred of any fast cut use in editing. You can see why when you watch his films… Be sure to tell me your suggestions for next time: Andrei Tarkovsky films! Leave a comment below or on Twitter Facebook Google+
October 17, 2012, 11:16 PM
http://www.tvtechnology.com/article/ibc--redux/215...
AMSTERDAM— As the broadcast industry attempts to clarify its role in the new digital media landscape, manufacturers in the meantime are continuing to consolidate. Both are working harder than ever to remain relevant in a rapidly evolving transition in both big screens and small.
October 17, 2012, 11:16 PM
http://library.creativecow.net/hurwicz_michael/Son...
In this Sony Vegas Pro 12 tutorial, Creative COW leader Michael Hurwicz looks at the new Color Match effect, which allows you to match one clip to another; the LAB Adjust effect, which allows you to modify the color match; and the new effect masking capability.
October 17, 2012, 11:15 PM
http://library.creativecow.net/hurwicz_michael/Son...
In this Sony Vegas 12 tutorial, Creative COW leader Michael Hurwicz looks at the Lightness/a/b Vector Scope. This is a follow-up to the tutorial on the Color Match and LAB Adjust FX, for which the Lightness/a/b Vector Scope is particularly useful.
October 17, 2012, 11:13 PM
http://www.hdwarrior.co.uk/2012/10/18/the-4k-debat...
No one can deny that a 4K picture is impressive but it is far from the loins share as far as broadcast television and production companies are concerned. Japan needs to sell video junkies like ourselves the next best thing and that as far as Japan is concerned is 4K.
October 17, 2012, 11:12 PM
http://www.motionvfx.com/mblog/post,p1892.html
"The Minority Report" was a great movie and we all hope that in the future we will be able to control our computers using gestures. If you own a Mac and want to use gestures to, for example, control Final Cut Pro, now you can! There's a very nice tool on the web called "BetterTouchTool" and it adds tons of new gestures to your pointing device.
October 17, 2012, 03:48 PM
http://lappg.com/october-10th-2012/
Members got a soup to nuts look at all the amazing products MOTU is producing both on the audio and video side. In addition to MOTU Western Sales Manager Matt LaPoint showing us MOTU’s latest award-winning audio and video interfaces, he demoed some music on Digital Performer 8 audio workstation software, and virtual instruments...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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