To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mad Max: Fury Road leads field in Golden Reel noms

January 27, 2016, 06:32 AM

http://if.com.au/2016/01/27/article/Mad-Max-Fury-R...

Mad Max: Fury Road is leading the field in the 63rd annual Motion Picture Sound Editors' Golden Reel Awards.

The Ardmore Sound team on mixing "Room"

January 27, 2016, 06:32 AM

http://www.audiomediainternational.com/recording/i...

When seeking out the next subject for one of our regular film sound pieces, I’m sure you can understand our tendency to be drawn towards the latest big budget action-packed blockbuster, sci-fi epic or disaster thriller, requiring a sound design to keep audiences on the edge of their seats, but this time we’ve gone for something a bit different, and you’ll see why.

White Light builds on inventory with DPA investmen

January 27, 2016, 06:31 AM

http://www.audiomediainternational.com/live/white-...

White Light has continued to build on its equipment catalogue with an additional investment in DPA d:screet 4080 and DPA d:vote 4099 microphones, following last year’s launch of the company's audio department.

The Smooth Sounds of Snowmageddon

January 26, 2016, 08:24 PM

http://www.premiumbeat.com/blog/the-smooth-sounds-...

An Internet frenzy ensues after PremiumBeat’s Golden Skies is featured as the soundtrack to Paul Ryan’s ‘Snowmageddon’ livestream. Last weekend snow pullmetted the northeast and US Speaker of the House Paul Ryan spiritedly captured the event in a three day Internet livestream from his balcony at the capital building. Hundreds of thousands of users logged

The sound of VR at Sundance and Slamdance

January 26, 2016, 08:24 PM

http://postperspective.com/sound-vr-sundance-slamd...

By Luke Allen If last year’s annual Park City film and cultural meet-up was where VR filmmaking first dipped its toes in the perverbial water, count 2016’s edition as its full on coming out party. With over 30 VR pieces as official selections at Sundance’s New Frontier sub-festival, and even more content debuting at Slamdance and elsewhere, festival-goers this year can barely take two steps down Main Street without being reminded of the format’s ubiquitous presence. When I first st...

Wylie Stateman talks sound editing on ‘The Hatef

January 26, 2016, 08:23 PM

http://postperspective.com/wylie-stateman-talks-so...

By Jennifer Walden Director Quentin Tarantino’s go-to supervising sound editor Wylie Stateman, of Twenty Four Seven Sound reveals the secret sauce of Tarantino’s cinematic style: “He is truly an aural enthusiast and very much a sculptor of his cinema through the use of sound and music.” That applies to dialogue as well, as Tarantino even casts actors with interesting voices. “Sound is a major contributor to Quentin’s films and often the secret sauce that makes the meal just ge...

Premiere Pro CC: Gain vs. Normalization

January 26, 2016, 01:17 PM

https://larryjordan.com/articles/premiere-pro-cc-s...

There is a non-obvious dialog that I want to show you in Adobe Premiere that makes setting audio levels fast and easy. And, along the way, I’ll explain a technique you can use to avoid distortion and still have great sounding audio.

Behind the sound for the shocking Making A Murdere

January 26, 2016, 10:14 AM

http://www.asoundeffect.com/making-a-murderer-soun...

‘Making A Murderer’ is a Netflix documentary that has sparked both controversy, shock and outrage – and for good reason. It’s a wild story about crime, punishment and justice. I rarely binge-watch series, but I just couldn’t put this one down.

Logic Pro X's Smart Controls With Waves Renaissanc

January 26, 2016, 06:17 AM

http://logic-pro-expert.com/logic-pro-blog/2016/01...

It’s the follow-up of How To Use Logic Pro X’s Smart Controls With Waves Renaissance EQ – Part 2, in this one you’ll learn how to put the finishing touches on a customised Renaissance EQ / Smart Controls setup, and save it as a recallable patch for use in future Logic Pro X projects.

Sunday Sound Thought 4 – ???

January 24, 2016, 12:59 PM

http://designingsound.org/2016/01/sunday-sound-tho...

As the year continues, many of these posts will be phil […]

1 22 23 24 25 26 45

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.