It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 7, 2015, 01:35 PM
http://www.provideocoalition.com/even-faster-snaps...
December 7, 2015, 10:24 AM
http://www.btlnews.com/awards/contender-editor-mar...
When director George Miller was looking for an editor to coalesce the wild ride that is Mad Max: Fury Road, he knew there was only one woman strong enough for the job: Margaret Sixel. The woman whose influences were Picnic at Hanging Rock (1975), My Brilliant Career (1979), and Breaker Morant (1980). He knew she wouldn’t be easy to get. She also just happened to be married to him. More importantly, she initially turned the job offer down flat. The post Contender – Editor Margaret Sixel,...
December 7, 2015, 10:23 AM
http://www.3dvf.com/actualite-15297-spectre-mark-c...
To read on The Art of VFX, an interview with Mark Curtis, VFX supervisor at MPC. He returns to the work of the studio for the new James Bond, Spectre.
December 7, 2015, 10:23 AM
http://filmireland.net/2015/12/07/irish-vfx-animat...
Jonathan Victory talked to Mark Ardington, who has over 17 years experience as an Animator, Rigger / TD, Animation Director and VFX Supervisor on many award-winning CGI commercials, TV series and films.
December 7, 2015, 10:22 AM
http://www.cgmeetup.net/home/black-sails-season-2-...
Aladino Debert – Here’s a selection of the work we did for Season 2 of Starz Network’s “Black Sails”. We had the pleasure -and challenge- of working on 4 episodes, including the awesome season finale. Incredibly ambitious work for a TV show, although in their own words “These are one-hour movies”. Definitely great production value and I’m very happy to have been a part of it and to collaborate with the show’s VFX Supervisor Erik Henry.
December 7, 2015, 10:22 AM
http://www.cgmeetup.net/home/realflow-101-introduc...
This webinar is for anyone who is interested in accessible Dynamic effects for VFX and want to know what RealFlow is about and what it can do.
December 7, 2015, 07:05 AM
http://www.tasteofcinema.com/2015/20-movies-with-t...
The world of cinema interest is ruled initially by actors, and secondly by directors. They always overshadow the other technical works in cinema, but for somebody getting into film, aspects like cinematography or editing are just as important to them.
December 7, 2015, 06:19 AM
http://designingsound.org/2015/12/who-cares-about-...
This article is a guest contribution by Damian Kastbaue […]
December 7, 2015, 06:18 AM
http://www.artofvfx.com/the-33-vfx-breakdown-spin-...
Spin VFX have published a dedicated page and VFX Breakdown about their invisible work on THE 33 (click on the picture below to watch it)...
December 6, 2015, 04:54 PM
http://www.content-technology.com/asiapacificnews/...
Fans of the Thunderbirds Are Go television series are now able to go behind the scenes and see the artistry behind the show with the opening of the latest Weta Workshop tourism experience in the Wellington, New Zealand, suburb of Miramar.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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