To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
Rampant Media Design Review
October 7, 2012, 02:40 PM
http://nleninja.wordpress.com/2012/10/07/rampant-m...
A little over a year ago, I came across a site which sold royalty free stock footage elements and After Effects templates at a great rate. They are Rampant Media Design. As a fan of many popular royalty free sites such as Digital Juice, Videohive and Artbeats, I knew I was in for treat for...
Audio Tools for the Video Editor
October 7, 2012, 02:40 PM
http://community.avid.com/blogs/mediacomposer/arch...
With Avid Media Composer 6.5, you can now monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any other NLE.
London UK - Creative Editing
October 7, 2012, 02:40 PM
http://feedproxy.google.com/~r/industryhappenings/...
Creative Editing - SPACE, 7 November - 12 December (evenings) This hands-on creative and technical 6-sessions course uses Final Cut Pro 7 to explore the Art and Craft of Editing. Editing exercises are the core of the course and will take place in each session; this will allow you to be creative while exploring editing...
Basics - Den Lennie's Color Grading 101
October 7, 2012, 02:40 PM
http://www.blackmagicuser.net/topic/197-basics-den...
F-Stop Academy founder Den Lennie kindly walks us through some of the basics in DaVinci Resolve. As usual all relevent links in the foot.
Premiere Pro CS6 Media Pending
October 7, 2012, 02:39 PM
http://www.hdwarrior.co.uk/2012/10/07/premiere-pro...
If you are editing in Premiere Pro CS6 and get a "Media Pending" after importing a file, look at the file structure to see if there is more than one MXF file in the folder.
Resolve and Premiere Pro With Unsupported Files
October 7, 2012, 02:37 PM
http://www.blackmagicuser.net/topic/204-advanced-r...
This is an introduction to working with unsupported media when sending a project to Resolve from Premiere Pro CS6. This video just shows you what happens when you try to import unsupported media into Resolve and is an illustration as to why it is important to manage your media before you send it to Resolve for color correction.
Kingston SSDNow E100 Enterprise SSD Review
October 7, 2012, 08:55 AM
http://www.storagereview.com/kingston_ssdnow_e100_...
The Kingston SSDNow E100 represents Kingston's first SSD offering designed specifically for the burgeoning entry enterprise market that relies on enterprise MLC NAND to offer a lower-cost enterprise drive designed for largely read intensive workloads. Don't let the lower-cost target fool you though, the E100 is very much enterprise-grade throughout. Kingston uses a SandForce SF-2500 enterprise SSD controller to power the drive and Toshiba's eMLC Toggle NAND.
Loft London becomes Aframe's West London Upload
October 7, 2012, 08:54 AM
http://news.creativecow.net/story/869999
(MIPCOM 2012--October 7, 2012) Loft London, a leading independent digital media facility announced this week that they have become the West London Upload Partner for Aframe, the cloud video production platform designed to liberate the professional video production process.
BOSCPUG Meet: Visual Storytellers
October 6, 2012, 03:35 PM
http://imaginenews.com/2012/10/boscpug-meet-visual...
We welcome everyone back to BOSCPUG with a great eve of networking, engaging film screenings and conversation and EASY VALIDATED PARKING
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