To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making a bespoke soundtrack for a TV show (part 1)

January 16, 2016, 09:47 AM

http://www.stadamedia.co.uk/film/making-a-bespoke-...

Part 2, with an exclusive behind the scenes video can be seen here. Over to Tristan.. Over the past couple of months I’ve been writing the score for The Horse Man, which is different to anything I’ve seen on TV before. Despite having the same format as the show The Dog Whisperer, the actual concept […] The post Making a bespoke soundtrack for a TV show (part 1) appeared first on Danny Lacey | Fimmakers Journey.

Making a bespoke soundtrack for a TV show (part 2)

January 16, 2016, 09:46 AM

http://www.stadamedia.co.uk/film/making-a-bespoke-...

Following on from Part 1, Tristan Noon takes us behind the scenes and in to his studio as he works on music for the tv show The Horse Man. Click on the play button above to see the video. The show follows Shady (The Horse Man) up and down the UK as he fixes troubled […] The post Making a bespoke soundtrack for a TV show (part 2) appeared first on Danny Lacey | Fimmakers Journey.

MPG Awards Super Series: Royal Blood and Tom Dalge

January 15, 2016, 11:48 AM

http://www.avidblogs.com/mpg-awards-super-series-r...

The article MPG Awards Super Series: Royal Blood and Tom Dalgety Rock the Music Scene with Pro Tools by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Audio nominees for 2016 Oscars announced

January 15, 2016, 06:53 AM

http://www.audiomediainternational.com/recording/a...

The 2016 Oscar nominees have been revealed, with The Revenant, Mad Max: Fury Road, Star Wars: The Force Awakens, and The Martian audio crews all named as contenders in the sound editing and mixing categories this year.

Dolby salutes this year's Oscar nominees

January 15, 2016, 06:48 AM

http://blog.dolby.com/2016/01/oscar-nominations-in...

At Dolby, we love helping artists tell their stories in the best way possible. So it was exhilarating to wake up this morning and see that so many movies that used Dolby® technologies were nominated for Academy Awards®.

Positive Grid Introduce Pro Series Studio Plugins

January 15, 2016, 06:48 AM

http://logic-pro-expert.com/logic-pro-blog/2016/01...

The Pro Series Studio Plugins is “a series of extremely high quality audio FET, Tube, and Optical compressors that introduces profiling and component based compression for the first time ever in a plugin. With Positive Grid’s DSP engineering and component level modeling expertise, it is now possible accurately reproduce the many subtle nuances of classic and modern analog studio gear right down to the component level.”

New SFX Libraries: December Recap

January 14, 2016, 04:23 PM

http://designingsound.org/2016/01/new-sfx-librarie...

If you are releasing a new SFX library and you would li […]

The mixers on the Oscar-nominated ‘The Big Short

January 14, 2016, 04:22 PM

http://postperspective.com/mixers-oscar-nominated-...



Technicolor at Paramount sound mixer Anna Belmer and re-recording mixer Terry Porter were part of the audio post production team on Adam McKay’s Oscar-nominated film The Big Short. McKay himself was nominated in the Best Director category for the film. In our recent interview with the director he gave a shout-out to Belmer and Porter: “Mixers Anna Behlmer and Terry Porter just killed it,” he said. “I’ve never done a mix quite like it, where it was shot about 80 percent ver...

Logic Pro X Backlit Keyboard by Editors Keys

January 13, 2016, 06:41 AM

http://logic-pro-expert.com/logic-pro-blog/2016/01...

After a successful Kickstarter campaign, Editors Keys’ Logic Pro X Backlit Keyboard is out – the world’s first backlit editing keyboard with over 100 shortcuts at your fingertips.

PSE-Sponsored L.A. Post Fest Still Accepting Entri

January 12, 2016, 05:18 PM

http://www.prosoundeffects.com/blog/pse-sponsored-...

We are stoked to be sponsoring the first annual L.A. Post Fest – a new and innovative editing competition from the Los Angeles Post Production Group (LAPPG)! L.A. Post Fest is a unique editing competition, utilizing footage from a professionally shot 4K Hollywood short film (entitled ‘Protocol’), and digital assets provided by festival ... The post PSE-Sponsored L.A. Post Fest Still Accepting Entries appeared first on Pro Sound Effects Library.

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