To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mission: Impossible – Rogue Nation (2015)

November 17, 2015, 06:24 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I'm not in the plane, I'm ON the plane! Open the door!” — Ethan Hunt ...

CCW 2015 and Adobe Premiere Pro

November 17, 2015, 06:24 AM

http://www.premierebro.com/blog/ccw-2015-and-adobe...

Adobe Premiere Pro Leads the NLE Charge at CCW 2015 A detailed summary of everything Adobe Premiere Pro at CCW 2015. This post features 5 tips from 2 Adobe Master Trainers,  Jeff Greenberg and Robbie Carman. Watch the 60 second CCW 2015 video summary Adobe Premiere Pro led the NLE charge at CCW 2015. With few exceptions, it was the featured NLE for all the editing and color grading speaker sessions. During the Documentary Editing Techniques for Every Editor session, 9 out ...

The History of Animation Sound

November 17, 2015, 06:24 AM

http://www.boomboxpost.com/blog/2015/11/8/the-hist...

In 1928, The Jazz Singer, was the first “talking picture.” Animation studios were quick to embrace the possibilities that synchronized sound on picture held. That same year, Walt Disney Studios produced Steamboat Willie which introduced the world to animation with a synchronized soundtrack. It was so widely viewed that the term “mickey mousing” quickly came to be synonymous with closely choreographed on-screen action and sound.

SoldAnim to demo virtual production tech with Muto

November 17, 2015, 06:24 AM

http://postperspective.com/soldanim-demo-virtual-p...

SolidAnim, which makes virtual production products, will showcase the latest version of its SolidTrack solution combined with XD Motion’s Muto at SATIS 2015. The combination of Solidtrack, with XD Motion‘s aerial filming systems, offers broadcasters and filmmakers a system to use and integrate live virtual effects. The combined systems can be used in feature films, broadcast shows, sports, advertising and commercials. The SolidTrack system is compatible with any camera and supports hig...

Big Soundly PRO giveaway! Here's how to enter

November 17, 2015, 06:24 AM

http://www.asoundeffect.com/win-soundly-pro/?utm_s...

Soundly offers free and premium sound effects in the cloud, lets you instantly search & organize all your sounds + you can drag-and-drop sounds from Soundly straight into your projects. The response to Soundly has been absolutely phenomenal, and now, 10 lucky winners can get their hands on the Soundly PRO version.

Tim Alexander dishes Jurassic World VFX

November 17, 2015, 06:23 AM

http://www.goldderby.com/news/10888/jurassic-world...

“There was a lot of pressure,” admits Tim Alexander with a laugh when asked if he felt nervous about taking on the role of visual effects supervisor on “Jurassic World,” the latest entry in a franchise that has set a gold standard for special effects in movies. In our recent webcam chat (watch below), Alexander reveals it was the original “Jurassic Park” (1993) that got him interested in visual effects. He worked on the first sequel, “The Lost World” (1997), and has been with Ind...

A Run Down of the Microphones and Techniques in a

November 17, 2015, 06:22 AM

http://filmmakeriq.com/2015/11/a-run-down-of-the-m...

Inspired by the live recordings of the Beatles, Grammy winning engineer Francis Buckley sets out to track a live band in full without overdubs, showing students at the Musicians Institute that this technique can greatly add character to recordings.

Composer David Lang on the film TRUTH

November 17, 2015, 06:22 AM

http://soundworkscollection.com/news/composer-davi...

Composer David Lang discusses his collaboration with Director Paolo Sorrentino crafting the music for his recent film YOUTH.

Pixar Composer to Score Disney's Zootopia

November 16, 2015, 01:22 PM

http://www.rotoscopers.com/2015/11/16/longtime-pix...

Oscar-winning Pixar composer Michael Giacchino is has been selected as the composer of Walt Disney Animation Studios’ new animated film Zootopia.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.